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7 Finale: Part 7 Finale! The kids stumble upon a rainbow, and look upon it in awe. Short and sweet.
7 Finale: Part 7 Finale! The kids stumble upon a rainbow, and look upon it in awe. Short and sweet.

Part 7 Finale! The kids stumble upon a rainbow, and look upon it in awe. Short and sweet.

7 Finale: LKA LKA 4247 4247 Juliet," an overture-fantasia, was written in 1869 and SIDE No.1 revised twice in 1870 and 1880, one of his earlier master pieces. The Slvonic March, Op. 31 wns composed in 1877, IF THERE WERE Such things as popularity polls for com posers run om the lines of the musical papers' musicians polls, the names of Irving Berlin, Cole Porter, Richard Rodgers, Jerome Kern, would jostle with Frederic Chopin, an original and very stirring work, and played at a concert Giacomo Puccini and Peter Tchaikovsky-and, in the very broadest kind of poll. there would be a strong likelihood of Tchaikovskycoming out top. There is clear evidence, in the number of pop tunes that have been lifted from the composer's compositions, that he writes the memorable and sentimental (in the best sense) kind of melody that appeals to the great majority of people whose brows are neither unduly low nor high. His Russian melancholy and his use of folk-tunes has not made his music excessively Russian in character so that it is as near world-wide in its appeal poorly produced, was not a great success, but gradually its as any composer's music could be On this record the two world-renowned pianists, Rawicz and Landauer, have selected some of the best and most popular of Tchaikovsky's melodies to make up a pleasing one of twelve pieces from a suite for piano written in 1876 sclection of music played in their unmistakable style of and published monthly throughout that year in a magazine piano duet. The firm statement of the melody and the called "Nuvellist." The troika represented November and Comfortably decorative treble part have proved eminently pictures the falling snow. One of Tchaikovsky's most shapely suitable for Tchaikovsky's fat and friendly tunes. The first track on this LP is the theme from the Ist movement of The "Pathetique" Symphony, No. 6 in B minor string instruments and adds an instruction on the score to 1. Theme from 1st movement "Pathetlque" symphony 2. Waltz from "The Sleeping Beauty" in aid of the soldiers wounded in the Turkish-Serbian war. The Chant sans paroles is an elegant short picce originally written for the pinno and part of a suite "Souvenir de Hapsal No. 2 written in 1865. It has been re-arranged score of times since, a testimonial to its popularity. A mazurka from The Sleeping Beauty" is followed by Hungarian dance from Tchaikovsky's other great ballet score "Swa Lake" written in 1876. This first ballet was written for the Imperial Theatre in Moscow and, being 3. Love theme from "Romeo and Juliet" 4. Slavonic march 5. Chant sans paroles 6. Mazurka from "The Sleeping Beauty" 7. Hungarian dance from 5wan Lake" (Tchaikovsky, arr. Rawicx and Landauer) SIDE No. 2 popularity grew. The second side begins with a polonaise from "The Sleeping Beauty" followed by a troika from "The Seasons," 1. Polonaise from "The Sleeping Beauty" 2. Troika from "The Seasons" 3. Waltz from Seranade for strings 4. Andante cantabile from "Francesca da Rimini" 5. Capriccio Italien 6. Scherzo from Fourth symphony 7. Finale from Piano concerto No. 1 waltzes comes from the Serenade for strings in C, Op. 48 memorable and delightful. Here he writes perfectly for the ITchaikovsky, arr. Rawicz and Landauer) TCHAIKOVSKIANA 1ICZ AND LANDAUER on Novem the effect that "the larger the which Tchaikovsky ber 6 of that year an of death in the son' it the title "Patheti the first edition was not well-received a unshaken in his b illness and death concert whent Dudience ren moved by premonition better the composer would bering orchestra employed the of work, nothing definite, but that perhaps the nearest pleased." comparison he could make was with Beethoven's 5th Sym Having given rew this before tuck. Although "Francesca da Rimini" was a fantasia for orchestra phony. Finally we have part of the grandiose, inspiring and written in 1876. The work was originally to have been an unforgettable finale of the Piano Concerto No. 1 B lat opera, the libretto was written and approved, but the minor. It was written during November and December of writer insisted that the music should be Wagnerian which 1874 and orchestrated during the following year, Tehai- the memorial naturally displeased Tchaikovsky whose musical ideal was kovsky approached Nicholas Rubenstein, the famous pianist. Mozart. However the ideas he had in mind were used up for an opinion on the work from the technical point of ond the in this orchestral work, His Capriccio Italien was written view, He was appalled to hear Rubinstein call the work composer was est work. His melodies, with all the ingredients required to give it a play it in public. Tehaikovsky refused and printed it exactly as it wa the stage, as 1877. Tchaik oy, Op. 36 in F minor was written in need to justis, an nction which there is no longer any melodic wealth meaning said that it was full of all the vague emotions is one of his wide appeal. leted in 1889 The be His 4th aikovsky when asked if the work had any specific PETER GAMMOND Copyright The Decca Record Co. Ltd., London, 1958 eic. "Romeo and that pass through anyone's head during a prolonged period Cover photo: ARNOLD BEHR This record must be played with a pick-up designed for Long Playing Records DECCA barely damp cloth. Flexible long playing microgroove full frequency range recording olutions per minute. -Decca Records are the Copyright of the Decca Record Company Ltd., London. Any unauthorised broadcasting or public per- of such records constitutes an infringement of the abovementioned Copyright, and will render the infringer liable to an actlon Copyright subsists in all Decca Records by virtue of the Australian Copyright Act, 1912-1950 and New Zealand Copyright Act. 1913. All rights under Copyright Law are reserced Issued by: EMI (Australia) Limited alia for The Decca Record Company Ltd., London, by E.M.I. (Australia) Limited, Sydey, N.S.W. with this opening f g the back of shelf or cabinet When not in use kee the record In the container RAWICZ ND LANDAUER TCHAIKOVSKIANA I found the real life ewuivalent of the 11 minecraft disc...
7 Finale: LKA
 LKA
 4247
 4247
 Juliet," an overture-fantasia, was written in 1869 and SIDE No.1
 revised twice in 1870 and 1880, one of his earlier master
 pieces. The Slvonic March, Op. 31 wns composed in 1877,
 IF THERE WERE Such things as popularity polls for com
 posers run om the lines of the musical papers' musicians
 polls, the names of Irving Berlin, Cole Porter, Richard
 Rodgers, Jerome Kern, would jostle with Frederic Chopin, an original and very stirring work, and played at a concert
 Giacomo Puccini and Peter Tchaikovsky-and, in the very
 broadest kind of poll. there would be a strong likelihood of
 Tchaikovskycoming out top. There is clear evidence, in
 the number of pop tunes that have been lifted from the
 composer's compositions, that he writes the memorable and
 sentimental (in the best sense) kind of melody that appeals
 to the great majority of people whose brows are neither
 unduly low nor high. His Russian melancholy and his use
 of folk-tunes has not made his music excessively Russian
 in character so that it is as near world-wide in its appeal poorly produced, was not a great success, but gradually its
 as any composer's music could be
 On this record the two world-renowned pianists, Rawicz
 and Landauer, have selected some of the best and most
 popular of Tchaikovsky's melodies to make up a pleasing one of twelve pieces from a suite for piano written in 1876
 sclection of music played in their unmistakable style of and published monthly throughout that year in a magazine
 piano duet. The firm statement of the melody and the called "Nuvellist." The troika represented November and
 Comfortably decorative treble part have proved eminently pictures the falling snow. One of Tchaikovsky's most shapely
 suitable for Tchaikovsky's fat and friendly tunes.
 The first track on this LP is the theme from the Ist
 movement of The "Pathetique" Symphony, No. 6 in B minor string instruments and adds an instruction on the score to
 1. Theme from 1st movement "Pathetlque" symphony
 2. Waltz from "The Sleeping Beauty"
 in aid of the soldiers wounded in the Turkish-Serbian war.
 The Chant sans paroles is an elegant short picce originally
 written for the pinno and part of a suite "Souvenir de
 Hapsal No. 2 written in 1865. It has been re-arranged
 score of times since, a testimonial to its popularity. A
 mazurka from The Sleeping Beauty" is followed by
 Hungarian dance from Tchaikovsky's other great ballet
 score "Swa Lake" written in 1876. This first ballet was
 written for the Imperial Theatre in Moscow and, being
 3. Love theme from "Romeo and Juliet"
 4. Slavonic march
 5. Chant sans paroles
 6. Mazurka from "The Sleeping Beauty"
 7. Hungarian dance from 5wan Lake"
 (Tchaikovsky, arr. Rawicx and Landauer)
 SIDE No. 2
 popularity grew.
 The second side begins with a polonaise from "The
 Sleeping Beauty" followed by a troika from "The Seasons,"
 1. Polonaise from "The Sleeping Beauty"
 2. Troika from "The Seasons"
 3. Waltz from Seranade for strings
 4. Andante cantabile from "Francesca da Rimini"
 5. Capriccio Italien
 6. Scherzo from Fourth symphony
 7. Finale from Piano concerto No. 1
 waltzes comes from the Serenade for strings in C, Op. 48
 memorable and delightful. Here he writes perfectly for the
 ITchaikovsky, arr. Rawicz and Landauer)
 TCHAIKOVSKIANA
 1ICZ
 AND LANDAUER
 on Novem
 the effect that "the larger the
 which Tchaikovsky
 ber 6 of that year an
 of death in the son'
 it the title "Patheti
 the first edition was
 not well-received a
 unshaken in his b
 illness and death
 concert whent
 Dudience ren
 moved by
 premonition better the composer would bering orchestra employed the of work, nothing definite, but that perhaps the nearest
 pleased."
 comparison he could make was with Beethoven's 5th Sym
 Having given
 rew this before
 tuck. Although
 "Francesca da Rimini" was a fantasia for orchestra phony. Finally we have part of the grandiose, inspiring and
 written in 1876. The work was originally to have been an unforgettable finale of the Piano Concerto No. 1 B lat
 opera, the libretto was written and approved, but the minor. It was written during November and December of
 writer insisted that the music should be Wagnerian which 1874 and orchestrated during the following year, Tehai-
 the memorial naturally displeased Tchaikovsky whose musical ideal was kovsky approached Nicholas Rubenstein, the famous pianist.
 Mozart. However the ideas he had in mind were used up for an opinion on the work from the technical point of
 ond the in this orchestral work, His Capriccio Italien was written view, He was appalled to hear Rubinstein call the work
 composer was
 est work. His
 melodies, with all the ingredients required to give it a play it in public. Tehaikovsky refused and printed it
 exactly as it wa
 the stage, as 1877. Tchaik oy, Op. 36 in F minor was written in need to justis, an nction which there is no longer any
 melodic wealth meaning said that it was full of all the vague emotions
 is one of his wide appeal.
 leted in 1889
 The
 be
 His 4th
 aikovsky when asked if the work had any specific
 PETER GAMMOND
 Copyright The Decca Record Co. Ltd., London, 1958
 eic. "Romeo and that pass through anyone's head during a prolonged period
 Cover photo: ARNOLD BEHR
 This record must be played with a
 pick-up designed for Long Playing Records
 DECCA
 barely damp cloth.
 Flexible long playing microgroove
 full frequency range recording
 olutions per minute.
 -Decca Records are the Copyright of the Decca Record Company Ltd., London. Any unauthorised broadcasting or public per-
 of such records constitutes an infringement of the abovementioned Copyright, and will render the infringer liable to an actlon
 Copyright subsists in all Decca Records by virtue of the Australian Copyright Act, 1912-1950 and New Zealand Copyright Act.
 1913. All rights under Copyright Law are reserced Issued by: EMI (Australia) Limited
 alia for The Decca Record Company Ltd., London, by E.M.I. (Australia) Limited, Sydey, N.S.W.
 with this opening f g the back of shelf or cabinet
 When not in use kee the record In the container
 RAWICZ
 ND LANDAUER TCHAIKOVSKIANA
I found the real life ewuivalent of the 11 minecraft disc...

I found the real life ewuivalent of the 11 minecraft disc...

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