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edges: mighty-meerkat: bundibird: kaldicuct: vaporwavevocap: draconic-duelist: ranty9000: askshadetrixieandfamily: real-life-pine-tree: oddeyesarcpendulumdragon: based on a true story I don’t think Fortnite is to blame for kids nowadays not reading… That’s the joke. It’s the authoritarian overbearing parent. He was being sarcastic lol Reminded me of these That violin one hit close to home. I remember doing homework once, asked my grandmother if she was proud of me. “Do some thing for me to be proud of.” That hurt. That comic up there – I witnessed almost that exact scenario. Teacher wanted the kids to all pick books. One kid spots something on the shelf and gets visibly excited. Pulls it out and starts reading. Teacher sees it, snatches it off him and tells him that this is a book for 8 year olds (the kid was 15ish) and tells him to get a book more appropriate for his age. Kid slouches around the shelves for about 10 minutes, finally picks up a book at random and sits in his chair tucking the edges of each page into the binding to make that looped-page look. He didn’t read a word. He sat there and did this to his book for the remainder of the reading session: He had been genuinely excited about the 8 year old book he’d picked up. It was a new one in a series he used to read as a younger kid. He’d been actively sitting and reading, and then he was embarrassed in front of his classmates, told off for reading a kids book, and voila. He lost all enthusiasm for reading anything else that day. What’s worse? That kid had been hit by a car like a year and a half earlier. Severe brain trauma. Had to re-learn a lot of basic things, like how to speak and how to read. An 8 year old book would have been perfect for him. Easy enough to read that it would have helped rebuild his confidence in his own reading ability. A book meant for 15/16 years olds? A lot harder to read than a book for 8 year olds. Especially if you’re recovering from a relatively recent brain injury. And yeah, the teacher knew all about his brain injury, and the recovery. He just seemed go be of the opinion that the kid was 15, so he should be reading books for 15 year olds, irrespective of brain injury. Reading this thread I’m reminded of Daniel Pennae’s The Rights of the Reader, which can be found in a lot of bookshops and school libraries:  The child speaking at the bottom in Quentin Blake’s distinctive spiky handwriting is saying ‘10 rights, 1 warning: Don’t make fun of people who don’t read - or they never will’
edges: mighty-meerkat:
bundibird:

kaldicuct:

vaporwavevocap:

draconic-duelist:

ranty9000:

askshadetrixieandfamily:


real-life-pine-tree:


oddeyesarcpendulumdragon:
based on a true story


I don’t think Fortnite is to blame for kids nowadays not reading…



That’s the joke. It’s the authoritarian overbearing parent.



 He was being sarcastic lol

Reminded me of these

That violin one hit close to home.



I remember doing homework once, asked my grandmother if she was proud of me. “Do some thing for me to be proud of.” That hurt. 



That comic up  there – I witnessed almost that exact scenario. Teacher wanted the kids to all pick books. One kid spots something on the shelf and gets visibly excited. Pulls it out and starts reading. Teacher sees it, snatches it off him and tells him that this is a book for 8 year olds (the kid was 15ish) and tells him to get a book more appropriate for his age. Kid slouches around the shelves for about 10 minutes, finally picks up a book at random and sits in his chair tucking the edges of each page into the binding to make that looped-page look. He didn’t read a word. He sat there and did this to his book for the remainder of the reading session: 
He had been genuinely excited about the 8 year old book he’d picked up. It was a new one in a series he used to read as a younger kid. He’d been actively sitting and reading, and then he was embarrassed in front of his classmates, told off for reading a kids book, and voila. He lost all enthusiasm for reading anything else that day. 
What’s worse? That kid had been hit by a car like a year and a half earlier. Severe brain trauma. Had to re-learn a lot of basic things, like how to speak and how to read.
An 8 year old book would have been perfect for him. Easy enough to read that it would have helped rebuild his confidence in his own reading ability. A book meant for 15/16 years olds? A lot harder to read than a book for 8 year olds. Especially if you’re recovering from a relatively recent brain injury. 
And yeah, the teacher knew all about his brain injury, and the recovery. He just seemed go be of the opinion that the kid was 15, so he should be reading books for 15 year olds, irrespective of brain injury. 

Reading this thread I’m reminded of Daniel Pennae’s The Rights of the Reader, which can be found in a lot of bookshops and school libraries: 
The child speaking at the bottom in Quentin Blake’s distinctive spiky handwriting is saying ‘10 rights, 1 warning: Don’t make fun of people who don’t read - or they never will’

mighty-meerkat: bundibird: kaldicuct: vaporwavevocap: draconic-duelist: ranty9000: askshadetrixieandfamily: real-life-pine-tree:...

edges: theincediblesulk: wicked-universe: dontbugmeimantisocial: captain-childishfirewarrior: peppermimint: giantchicken: drawology: pipesandrage: tophatting: all1sees: fumblingfirebird: cantankerouscrab: #I CAN SEE THE STITCHINGS OKAY GODDAMN THIS ANIMATION IS GORGEOUS #and then you have people only going about how ~hot~ he is because fuck, you can see the lines under his eyes and even red on the edges of the whiteness of his eyes and frost on the edgES OF HIS CLOTHING but^ seriously, the amount of detail and animation in ROTG is just AMAZING, I felt like I could reach out and feel the fabric of their clothes, of Tooth’s feathers and oh my god , these people are amazing. Tooth’s feathers have this purple sheen on the lower half of her body and it’s only apparent when her knees are bent or the angle is right And Jack has kinda splotchy skin and scraggly canine teeth and salt and pepper eyebrows AND TOOTH HAS FLAWLESSLY MANICURED NAILS THIS MOVIE IS GORGEOUS DON’T EVEN GET ME STARTED ON THE PARTICLE EFFECTS FOR ALL THE SAND this is the kind of post I’ve been waiting for. yes. to everything. What’s even more amazing is a bunch of nerds created that shit. I wish they got more praise for the amazing shit they do all the time. I remember one of the guys showing me the sand tests .. he used to work for NASA. NASA FUCKING NASA EVERYBODY!!!  AND AS A SIDE NOTE, PETER RAMSEY (who directed Rise of the Guardians) ALSO DIRECTED SPIDER-VERSE  @theangstking @jynxlovesluck
edges: theincediblesulk:

wicked-universe:

dontbugmeimantisocial:

captain-childishfirewarrior:

peppermimint:

giantchicken:

drawology:

pipesandrage:

tophatting:

all1sees:

fumblingfirebird:

cantankerouscrab:

#I CAN SEE THE STITCHINGS OKAY GODDAMN THIS ANIMATION IS GORGEOUS

  #and then you have people only going about how ~hot~ he is
because fuck, you can see the lines under his eyes and even red on the edges of the whiteness of his eyes
and frost on the edgES OF HIS CLOTHING 
but^

seriously, the amount of detail and animation in ROTG is just AMAZING, I felt like I could reach out and feel the fabric of their clothes, of Tooth’s feathers and oh my god , these people are amazing.

Tooth’s feathers have this purple sheen on the lower half of her body and it’s only apparent when her knees are bent or the angle is right

And Jack has kinda splotchy skin and scraggly canine teeth and salt and pepper eyebrows

AND TOOTH HAS FLAWLESSLY MANICURED NAILS

THIS MOVIE IS GORGEOUS

DON’T EVEN GET ME STARTED ON THE PARTICLE EFFECTS FOR ALL THE SAND


this is the kind of post I’ve been waiting for.
yes.
to everything.

What’s even more amazing is a bunch of nerds created that shit. I wish they got more praise for the amazing shit they do all the time.

I remember one of the guys showing me the sand tests .. he used to work for NASA.

NASA

FUCKING NASA EVERYBODY!!! 

AND AS A SIDE NOTE, PETER RAMSEY (who directed Rise of the Guardians) ALSO DIRECTED SPIDER-VERSE 

@theangstking



@jynxlovesluck

theincediblesulk: wicked-universe: dontbugmeimantisocial: captain-childishfirewarrior: peppermimint: giantchicken: drawology: pipe...

edges: theincediblesulk: wicked-universe: dontbugmeimantisocial: captain-childishfirewarrior: peppermimint: giantchicken: drawology: pipesandrage: tophatting: all1sees: fumblingfirebird: cantankerouscrab: #I CAN SEE THE STITCHINGS OKAY GODDAMN THIS ANIMATION IS GORGEOUS #and then you have people only going about how ~hot~ he is because fuck, you can see the lines under his eyes and even red on the edges of the whiteness of his eyes and frost on the edgES OF HIS CLOTHING but^ seriously, the amount of detail and animation in ROTG is just AMAZING, I felt like I could reach out and feel the fabric of their clothes, of Tooth’s feathers and oh my god , these people are amazing. Tooth’s feathers have this purple sheen on the lower half of her body and it’s only apparent when her knees are bent or the angle is right And Jack has kinda splotchy skin and scraggly canine teeth and salt and pepper eyebrows AND TOOTH HAS FLAWLESSLY MANICURED NAILS THIS MOVIE IS GORGEOUS DON’T EVEN GET ME STARTED ON THE PARTICLE EFFECTS FOR ALL THE SAND this is the kind of post I’ve been waiting for. yes. to everything. What’s even more amazing is a bunch of nerds created that shit. I wish they got more praise for the amazing shit they do all the time. I remember one of the guys showing me the sand tests .. he used to work for NASA. NASA FUCKING NASA EVERYBODY!!!  AND AS A SIDE NOTE, PETER RAMSEY (who directed Rise of the Guardians) ALSO DIRECTED SPIDER-VERSE  @theangstking @jynxlovesluck
edges: theincediblesulk:
wicked-universe:

dontbugmeimantisocial:

captain-childishfirewarrior:

peppermimint:

giantchicken:

drawology:

pipesandrage:

tophatting:

all1sees:

fumblingfirebird:

cantankerouscrab:

#I CAN SEE THE STITCHINGS OKAY GODDAMN THIS ANIMATION IS GORGEOUS

  #and then you have people only going about how ~hot~ he is
because fuck, you can see the lines under his eyes and even red on the edges of the whiteness of his eyes
and frost on the edgES OF HIS CLOTHING 
but^

seriously, the amount of detail and animation in ROTG is just AMAZING, I felt like I could reach out and feel the fabric of their clothes, of Tooth’s feathers and oh my god , these people are amazing.

Tooth’s feathers have this purple sheen on the lower half of her body and it’s only apparent when her knees are bent or the angle is right

And Jack has kinda splotchy skin and scraggly canine teeth and salt and pepper eyebrows

AND TOOTH HAS FLAWLESSLY MANICURED NAILS

THIS MOVIE IS GORGEOUS

DON’T EVEN GET ME STARTED ON THE PARTICLE EFFECTS FOR ALL THE SAND


this is the kind of post I’ve been waiting for.
yes.
to everything.

What’s even more amazing is a bunch of nerds created that shit. I wish they got more praise for the amazing shit they do all the time.

I remember one of the guys showing me the sand tests .. he used to work for NASA.

NASA

FUCKING NASA EVERYBODY!!! 

AND AS A SIDE NOTE, PETER RAMSEY (who directed Rise of the Guardians) ALSO DIRECTED SPIDER-VERSE 

@theangstking



@jynxlovesluck

theincediblesulk: wicked-universe: dontbugmeimantisocial: captain-childishfirewarrior: peppermimint: giantchicken: drawology: pipes...

edges: stuartsemple 23m And the narc is... Send Message : X stuartsemple 23m The Lisson Gallery Send Message stuartsemple 23m Stuart Semp e Directors SSON GALLERY -54 Bell Street ndon, NW1 5DA mail and email to: contact@lissongallery.com BREACH OF TERMS OF SERVICE: CULTUREHUSTLE.COM ILLEGAL ACQUISITION ON BEHALF OF ANISH KAPOOR OF THE WORLD'S EST PINK PII ear Sirs aware that you represent Mr. Anish Kapoor, and I write today not to dob him in so that yo n tell him off but rather to try and resolve this matter. Unlike Kapoor I am not one to 'point th ger however on this occasion it has become important to do so old your gallery in the highest esteem, I am a fan of several of your artists, but on this casion you have been extremely naughty. You have been part of a conspiracy to illegally tain my PINK and provide Mr. Kapoor with it e have now finished fully researching this situation and it has come to our attention that you we been part of a conspiracy to obtain my PINK and provide Mr. Kapoor with it enabling him exploit the substance against my wishes. Further, this juvenile behaviour made much of the der artistic community sad thanks to his extremely childish and petty post on instagram e terms of service on my site CultureHustle.com are incredibly clear Hote: By way affiliated to Anish Kapoor, you are not purchasing this item on behalf of Anish Kapoor associate of Anish Kapoor. To the best of your knowledge, information and belief this paint Il not make its way into that hands of Anish Kapoor this duct to your cart you confim that you are not Anish Kapoor, you are direct violation to the above, on 10th of December 2016 a person by the name of Mr placed an order via the culturehustle.com website, for one jar of PINK at 5.36am. This Send Message stuartsemple 22m der was placed on behalf of your gallery and was duly delivered to The Lisson Gallery in ndon at 11.38am on the 13th of December. Shortly after which your gallery provided Mr. poor with the substance and on 23rd of December 2016 Mr. Kapoor posted a photograph or stagram showing he was indeed in possession of the substance, he also included the captio p Yours. The comments on this post clearly demonstrate the negative impact such a gesture shad upon a whole community. He needs to say sorry for hurting everyone's feelings. emind you, hoarding colours & stealing other people's colours without asking nicely isn't big rd it's simply bad. i said I think it would be best to resolve this matter amicably without this silly business calating any further. However, if we are unable to resolve this in a timely and grown up way n fully prepared to take further action which will no doubt become stressful and expensive. erefore I would appreciate it if: 1. Your gallery would say sorry for giving my pink to Mr. Kapoor 2 Mr. Kapoor would give me my PINK back. I don't want him to have it 3. He will write 100 lines 'I will be nice, I will share my colours and he will post the same his instagram iling the above, an agreeable settlement would also be 1. The re-imbursement of £3.99 (the cost of the PINK minus shipping) 2 And Mr. Kapoor to void his exclusive agreement over the use of Vanta Black in art. you were to settle as above I will be more than happy to share all my colours with him, so he esn't feel left out and can join in with the rest of us. ok forward to resolving this matter ours uart Semple Send Message capsgirl19: residesatshamecentral: groot-scamander: troublesomegay: spontaneousmusicalnumber: fox-smulders: STUART SEMPLE FOUND THE PINK NARC. God this is the greatest art feud of our time. Read the conditions of settlement. It’s gold. Captioned because even I’m having trouble reading this: [A screenshot from snapchat of a document that is cut off on the extreme edges, erasing the first and last two or three letters from each line. Doing my best to correctly transcribe] Breach of terms of service: culturehustle.comIllegal acquisition on behalf of Anish Kapoor of the World’s Pinkest Pink Dear Sirs, I am aware that you represent Mr. Anish Kapoor, and I write today not to dob him in so that you can tell him off but rather to try and resolve this matter. Unlike Kapoor I am not one to ‘point the finger’ however on this occasion it has become important to do so.  I hold your gallery in the highest esteem, I am a fan of several of your artists, but on this occasion you have been extremely naughty. You have been part of a conspiracy to obtain my PINK and provide Mr. Kapoor with it. We have now finished fully researching this situation and it has come to your attention that you have been part of a conspiracy to obtain my PINK and provide Mr. Kapoor with it enabling him to exploit the substance against my wishes. Further, this juvenile behavior made much of the wider artistic community sad thanks to his extremely petty and childish post on Instagram.  The terms of service on my site CultureHustle.com are incredibly clear:Quote: By adding this product to your cart you agree that you are not Anish Kapoor, you are in no way affiliated with Anish Kapoor, you are not purchasing this item on behalf of Anish Kapoor or an associate of Anish Kapoor. To the best of your knowledge, information and belief this product will not make its way into that hands of Anish Kapoor.  In direct violation to the above, on 10th of December 2016 a person by the name of Mr [Blanked out] placed an order via the culturehustle.com website, for one jar of PINK at 5:36 am. This order was placed on behalf of your gallery and was delivered to the Lisson Gallery in London at 11:38 am on the 13th of December. Shortly after which your gallery provided Mr. Kapoor with the substance and on the 23rd of December 2016 Mr. Kapoor posted a photograph on Instagram showing he was indeed in possession of the substance, he also included the caption ‘Up Yours’. The comments on this post clearly demonstrate the negative impact such a gesture has had upon a wide community. He needs to say sorry for hurting everyone’s feelings. I remind you, hoarding colours and stealing other people’s colours without asking nicely isn’t big -rd it’s simply bad.  I said I think it would be best to resolve this matter amicably without this silly business escalating any further. However, if we are unable to resolve this in a timely and grown up way I am fully prepared to take further action which will no doubt become stressful and expensive.  Therefore I would appreciate it if:1. Your gallery would say sorry for giving my pink to Mr. Kapoor. 2. Mr. Kapoor would give me my pink back. I don’t want him to have it. 3. He will write 100 times, ‘I will be nice, I will share my colours’ and he will post the same to his Instagram. Failing the above, an agreeable settlement would also be:1. The reimbursement of $3.99 (the cost of PINK minus shipping)2. And Mr. Kapoor to void his exclusive agreement to the use of Vanta Black in art. If you were to settle as above I will be more than happy to share all my colours with him, so he doesn’t feel left out and can join in with the rest of us. I look forward to resolving this matter.  Yours, Stuart Semple Thank you for captioning this! I’d seen it before but never been able to read it. Alright this is hilarious because Since they broke contract, he can sue them To avoid getting sued, they need to humilate themselves publicly AND convince Kapoor to do likewise If they don’t want to humiliate themselves and avoid getting sued, they need to convince Kapoor to give up his color copyright Stuart Semple everybody! I… oh my gods this was always the plan. An irresistible Trojan horse. Of course Kapoor would get his hands on it, that was only a matter of time, and now Semple’s backed them into a corner. Is this what watching chess feels like?
edges: stuartsemple 23m
 And the
 narc
 is...
 Send Message
 :

 X
 stuartsemple 23m
 The
 Lisson
 Gallery
 Send Message

 stuartsemple 23m
 Stuart Semp
 e Directors
 SSON GALLERY
 -54 Bell Street
 ndon, NW1 5DA
 mail and email to: contact@lissongallery.com
 BREACH OF TERMS OF SERVICE: CULTUREHUSTLE.COM
 ILLEGAL ACQUISITION ON BEHALF OF ANISH KAPOOR OF THE WORLD'S
 EST PINK
 PII
 ear Sirs
 aware that you represent Mr. Anish Kapoor, and I write today not to dob him in so that yo
 n tell him off but rather to try and resolve this matter. Unlike Kapoor I am not one to 'point th
 ger however on this occasion it has become important to do so
 old your gallery in the highest esteem, I am a fan of several of your artists, but on this
 casion you have been extremely naughty. You have been part of a conspiracy to illegally
 tain my PINK and provide Mr. Kapoor with it
 e have now finished fully researching this situation and it has come to our attention that you
 we been part of a conspiracy to obtain my PINK and provide Mr. Kapoor with it enabling him
 exploit the substance against my wishes. Further, this juvenile behaviour made much of the
 der artistic community sad thanks to his extremely childish and petty post on instagram
 e terms of service on my site CultureHustle.com are incredibly clear
 Hote: By
 way affiliated to Anish Kapoor, you are not purchasing this item on behalf of Anish Kapoor
 associate of Anish Kapoor. To the best of your knowledge, information and belief this paint
 Il not make its way into that hands of Anish Kapoor
 this
 duct to your cart you confim that you are not Anish Kapoor, you are
 direct violation to the above, on 10th of December 2016 a person by the name of Mr
 placed an order via the culturehustle.com website, for one jar of PINK at 5.36am. This
 Send Message

 stuartsemple 22m
 der was placed on behalf of your gallery and was duly delivered to The Lisson Gallery in
 ndon at 11.38am on the 13th of December. Shortly after which your gallery provided Mr.
 poor with the substance and on 23rd of December 2016 Mr. Kapoor posted a photograph or
 stagram showing he was indeed in possession of the substance, he also included the captio
 p Yours. The comments on this post clearly demonstrate the negative impact such a gesture
 shad upon a whole community. He needs to say sorry for hurting everyone's feelings.
 emind you, hoarding colours & stealing other people's colours without asking nicely isn't big
 rd it's simply bad.
 i said I think it would be best to resolve this matter amicably without this silly business
 calating any further. However, if we are unable to resolve this in a timely and grown up way
 n fully prepared to take further action which will no doubt become stressful and expensive.
 erefore I would appreciate it if:
 1. Your gallery would say sorry for giving my pink to Mr. Kapoor
 2 Mr. Kapoor would give me my PINK back. I don't want him to have it
 3. He will write 100 lines 'I will be nice, I will share my colours and he will post the same
 his instagram
 iling the above, an agreeable settlement would also be
 1. The re-imbursement of £3.99 (the cost of the PINK minus shipping)
 2 And Mr. Kapoor to void his exclusive agreement over the use of Vanta Black in art.
 you were to settle as above I will be more than happy to share all my colours with him, so he
 esn't feel left out and can join in with the rest of us.
 ok forward to resolving this matter
 ours
 uart Semple
 Send Message
capsgirl19:
residesatshamecentral:

groot-scamander:

troublesomegay:

spontaneousmusicalnumber:


fox-smulders:

STUART SEMPLE FOUND THE PINK NARC. 

God this is the greatest art feud of our time.

Read the conditions of settlement. It’s gold.
Captioned because even I’m having trouble reading this:
[A screenshot from snapchat of a document that is cut off on the extreme edges, erasing the first and last two or three letters from each line. Doing my best to correctly transcribe]
Breach of terms of service: culturehustle.comIllegal acquisition on behalf of Anish Kapoor of the World’s Pinkest Pink
Dear Sirs,
I am aware that you represent Mr. Anish Kapoor, and I write today not to dob him in so that you can tell him off but rather to try and resolve this matter. Unlike Kapoor I am not one to ‘point the finger’ however on this occasion it has become important to do so. 
I hold your gallery in the highest esteem, I am a fan of several of your artists, but on this occasion you have been extremely naughty. You have been part of a conspiracy to obtain my PINK and provide Mr. Kapoor with it.
We have now finished fully researching this situation and it has come to your attention that you have been part of a conspiracy to obtain my PINK and provide Mr. Kapoor with it enabling him to exploit the substance against my wishes. Further, this juvenile behavior made much of the wider artistic community sad thanks to his extremely petty and childish post on Instagram. 
The terms of service on my site CultureHustle.com are incredibly clear:Quote: By adding this product to your cart you agree that you are not Anish Kapoor, you are in no way affiliated with Anish Kapoor, you are not purchasing this item on behalf of Anish Kapoor or an associate of Anish Kapoor. To the best of your knowledge, information and belief this product will not make its way into that hands of Anish Kapoor. 
In direct violation to the above, on 10th of December 2016 a person by the name of Mr [Blanked out] placed an order via the culturehustle.com website, for one jar of PINK at 5:36 am. This order was placed on behalf of your gallery and was delivered to the Lisson Gallery in London at 11:38 am on the 13th of December. Shortly after which your gallery provided Mr. Kapoor with the substance and on the 23rd of December 2016 Mr. Kapoor posted a photograph on Instagram showing he was indeed in possession of the substance, he also included the caption ‘Up Yours’. The comments on this post clearly demonstrate the negative impact such a gesture has had upon a wide community. He needs to say sorry for hurting everyone’s feelings.
I remind you, hoarding colours and stealing other people’s colours without asking nicely isn’t big -rd it’s simply bad. 
I said I think it would be best to resolve this matter amicably without this silly business escalating any further. However, if we are unable to resolve this in a timely and grown up way I am fully prepared to take further action which will no doubt become stressful and expensive. 
Therefore I would appreciate it if:1. Your gallery would say sorry for giving my pink to Mr. Kapoor. 2. Mr. Kapoor would give me my pink back. I don’t want him to have it. 3. He will write 100 times, ‘I will be nice, I will share my colours’ and he will post the same to his Instagram.
Failing the above, an agreeable settlement would also be:1. The reimbursement of $3.99 (the cost of PINK minus shipping)2. And Mr. Kapoor to void his exclusive agreement to the use of Vanta Black in art.
If you were to settle as above I will be more than happy to share all my colours with him, so he doesn’t feel left out and can join in with the rest of us.
I look forward to resolving this matter. 
Yours,
Stuart Semple


Thank you for captioning this! I’d seen it before but never been able to read it.


Alright this is hilarious because
Since they broke contract, he can sue them
To avoid getting sued, they need to humilate themselves publicly AND convince Kapoor to do likewise
If they don’t want to humiliate themselves and avoid getting sued, they need to convince Kapoor to give up his color copyright

Stuart Semple everybody!


I… oh my gods this was always the plan. An irresistible Trojan horse. Of course Kapoor would get his hands on it, that was only a matter of time, and now Semple’s backed them into a corner. Is this what watching chess feels like?

capsgirl19: residesatshamecentral: groot-scamander: troublesomegay: spontaneousmusicalnumber: fox-smulders: STUART SEMPLE FOUND THE...

edges: broadwaytheanimatedseries: dontbugmeimantisocial: captain-childishfirewarrior: peppermimint: giantchicken: drawology: pipesandrage: tophatting: all1sees: fumblingfirebird: cantankerouscrab: #I CAN SEE THE STITCHINGS OKAY GODDAMN THIS ANIMATION IS GORGEOUS #and then you have people only going about how ~hot~ he is because fuck, you can see the lines under his eyes and even red on the edges of the whiteness of his eyes and frost on the edgES OF HIS CLOTHING but^ seriously, the amount of detail and animation in ROTG is just AMAZING, I felt like I could reach out and feel the fabric of their clothes, of Tooth’s feathers and oh my god , these people are amazing. Tooth’s feathers have this purple sheen on the lower half of her body and it’s only apparent when her knees are bent or the angle is right And Jack has kinda splotchy skin and scraggly canine teeth and salt and pepper eyebrows AND TOOTH HAS FLAWLESSLY MANICURED NAILS THIS MOVIE IS GORGEOUS DON’T EVEN GET ME STARTED ON THE PARTICLE EFFECTS FOR ALL THE SAND this is the kind of post I’ve been waiting for. yes. to everything. What’s even more amazing is a bunch of nerds created that shit. I wish they got more praise for the amazing shit they do all the time. I remember one of the guys showing me the sand tests .. he used to work for NASA. NASA FUCKING NASA EVERYBODY!!!  AND AS A SIDE NOTE, PETER RAMSEY (who directed Rise of the Guardians) ALSO DIRECTED SPIDER-VERSE  YES HE DID
edges: broadwaytheanimatedseries:
dontbugmeimantisocial:

captain-childishfirewarrior:

peppermimint:

giantchicken:

drawology:

pipesandrage:

tophatting:

all1sees:

fumblingfirebird:

cantankerouscrab:

#I CAN SEE THE STITCHINGS OKAY GODDAMN THIS ANIMATION IS GORGEOUS

  #and then you have people only going about how ~hot~ he is
because fuck, you can see the lines under his eyes and even red on the edges of the whiteness of his eyes
and frost on the edgES OF HIS CLOTHING 
but^

seriously, the amount of detail and animation in ROTG is just AMAZING, I felt like I could reach out and feel the fabric of their clothes, of Tooth’s feathers and oh my god , these people are amazing.

Tooth’s feathers have this purple sheen on the lower half of her body and it’s only apparent when her knees are bent or the angle is right

And Jack has kinda splotchy skin and scraggly canine teeth and salt and pepper eyebrows

AND TOOTH HAS FLAWLESSLY MANICURED NAILS

THIS MOVIE IS GORGEOUS

DON’T EVEN GET ME STARTED ON THE PARTICLE EFFECTS FOR ALL THE SAND


this is the kind of post I’ve been waiting for.
yes.
to everything.

What’s even more amazing is a bunch of nerds created that shit. I wish they got more praise for the amazing shit they do all the time.

I remember one of the guys showing me the sand tests .. he used to work for NASA.

NASA

FUCKING NASA EVERYBODY!!! 

AND AS A SIDE NOTE, PETER RAMSEY (who directed Rise of the Guardians) ALSO DIRECTED SPIDER-VERSE 


YES HE DID

broadwaytheanimatedseries: dontbugmeimantisocial: captain-childishfirewarrior: peppermimint: giantchicken: drawology: pipesandrage:...

edges: Rose Quartz Shield Tutorial! Easy, Cheap, Lightweight, and Fast From Makelovely Cosplay -TRUSTED QUALITY SINCE 192 RUSTOLEUM ULTRA COVER FLAT WHITE PRIMER TIGHT BOND FOR A TOPr OGEST LASTING ALSO BONDS TO のritz 1" x 2.5 yds (254 m" x22 WOOD, METAL & MORE 400 NET Materials: The key ingredient behind this magical project are these! Drum head covers are super lightweight easily painted, and come in a big range of sizes. Plus, they're pretty much the perfect shape for a round shield, and they're pretty cheap too! You'll also need - Primer(I swear by Rustoleum's 2X Ultra Cover for plastic, but whatever sticks to plastic is good!) &Spray paint -Elastic E6000 -A bunch of paper An exacto knife -Acrylic paints & paint brushes -Some sort of sealant n between coats: Map out your design! started with a bunch of pieces of paper taped together and traced the outline of First up: Prime your drum head (2 coats just in case!) and spray paint your color of choice (2 coats again!) l used Valspar's Gloss in Frosty Berry. I'm not super fond of it, but tro was the right color and I had it on hand! tit the drum head. The design itself was mostly free handed, but it did take a little trial and error before I got it just right. Trace this over with marker to make for easier cutting This is the most tedious part: tracing the design onto your shield! I cut mine out piece by piece, starting with the gem design, then the thorns, and then the vine. Just line everything up with what you've already traced as you go! Be careful at the edges! Since they're sloped, they might need a little alteration from your original lines. Now just paint all your traced designs in with acrylics (mine took 2 coats for the darker colors and 3 for the white) and give your shield a good clear coat to protect from chipping! For carrying, I used some E6000 to attach some elastic straps. You wanna glue the crap out of these things, put plenty underneath and some on top (it'll soak into the elastic) just in case! I used one big strap for my arm, and I held onto the smaller one, and it was pretty comfy all day Now get out there and defend the earth makelovelycosplay: Here’s how I made my Rose Quartz shield! It’s real easy and should work pretty well for any sort of round shield. Feel free to message me if you have any questions!
edges: Rose Quartz Shield Tutorial!
 Easy, Cheap, Lightweight, and Fast
 From Makelovely Cosplay
 -TRUSTED QUALITY SINCE 192
 RUSTOLEUM
 ULTRA COVER
 FLAT WHITE
 PRIMER
 TIGHT BOND FOR A TOPr
 OGEST LASTING
 ALSO BONDS TO
 のritz
 1" x 2.5 yds (254 m" x22
 WOOD, METAL & MORE
 400 NET
 Materials: The key ingredient behind
 this magical project are these! Drum
 head covers are super lightweight
 easily painted, and come in a big
 range of sizes. Plus, they're pretty
 much the perfect shape for a round
 shield, and they're pretty cheap too!
 You'll also need
 - Primer(I swear by Rustoleum's 2X Ultra
 Cover for plastic, but whatever sticks to
 plastic is good!) &Spray paint
 -Elastic
 E6000
 -A bunch of paper
 An exacto knife
 -Acrylic paints & paint brushes
 -Some sort of sealant

 n between coats: Map out your design!
 started with a bunch of pieces of paper
 taped together and traced the outline of
 First up: Prime your drum head (2
 coats just in case!) and spray paint
 your color of choice (2 coats again!)
 l used Valspar's Gloss in Frosty
 Berry. I'm not super fond of it, but tro
 was the right color and I had it on
 hand!
 tit
 the drum head. The design itself was
 mostly free handed, but it did take a little
 trial and error before I got it just
 right. Trace this over with marker to make
 for easier cutting
 This is the most tedious part: tracing the design onto your shield! I cut mine out
 piece by piece, starting with the gem design, then the thorns, and then the vine.
 Just line everything up with what you've already traced as you go! Be careful at the
 edges! Since they're sloped, they might need a little alteration from your original
 lines.

 Now just paint all your traced designs in with acrylics (mine took 2 coats for the
 darker colors and 3 for the white) and give your shield a good clear coat to
 protect from chipping!
 For carrying, I used some E6000 to attach some elastic straps. You wanna glue
 the crap out of these things, put plenty underneath and some on top (it'll soak
 into the elastic) just in case! I used one big strap for my arm, and I held onto the
 smaller one, and it was pretty comfy all day
 Now get out there and defend the earth
makelovelycosplay:

Here’s how I made my Rose Quartz shield! It’s real easy and should work pretty well for any sort of round shield. Feel free to message me if you have any questions!

makelovelycosplay: Here’s how I made my Rose Quartz shield! It’s real easy and should work pretty well for any sort of round shield. Fee...

edges: THE POCKET ENCY CLOPEDIA OF INDOOR PLANTS IN COLOR A. Nicolaisen urdy, have 10 erect trunk with site,shieland holes. From the stems, large Philodendron scander Growth: Vigorous clim while very small on en leaves on long ield-like leaves unches of hanging aerial roots are formed. Older plants may, under favour Sweetheart Vine able conditions in conservatories or Habitat: West Indies. hothouses, develop large, calla-like G inforescences with white spathes. Later, with pointed, heart-shap s with dots and pale yellow and pale ultivated as a young plant and en. C carded when the bottom leaves are d, its value as an ornamental plant i s debatable e: Best in a warm greenhouse, o good in a room after careful har ing off. Thrives for a time in dee g off. Thom after caou but aromatic edible fruits appear, which de. Requires a lot of space. 1S grow to lengths of 30 cr have a taste similar to that of a pine- specimens. New leave brown and almost trans Use: Decorative room plant, requiring a lot of space. Suitable for trellising to l: Soilless mixture or light leaf mould ding: 3 grams per litre (1 oz. per ter: Should be kept moist all the year ht: Never direct sunlight. Thrives in Use: Well suited as cli alls, doorways and large windows. Soil: Soilless mixture with added peat. pH Feeding: 3 gram gallon) every Fertiliser sh moist soil trellises or walls or as a plant, also as a ground rvatories. An amusin s to allow the pla enveloped in mois soil on) every week (March-October). nd. Will not stand drying out. dy rooms, halls or staircases. t: Poor growth if temperature falls w minimum 15° C. (60° F.) during er st attractive and amount in t ss mixture rams per Frequent spraying. especially in lit positions, the spots and edges. Heat: Normal room temp not less than 12° C. (55° F Air: Syringe during gro up to very good centrall he Re-potting: Every 3 orA years Propagation: By cuttig top shoots with the aerial roots atta hed. They should be planted in equal arts of soilless mi:x ее ai otting: Every spring, in spacious agation: By cuttings in a green in an enclosed atmosphere, with e Mealy bug, red spider mite ially when the growing point is ri it e and sand, and must be kept moist and warm Varieties: borsig ina (but correctly Monstera pertus, which has smaller eaves and mor aerial roots than the type, and grows ore rapidly and vigor- ously. Can al be used in smaller rooms. This is e variety illustrated. NOTE: Aerial pots, which--like ordin ary rootss ve as ducts for transmit The sap in the leaves and stems is nous varieties: There are many hybrids this and other species with a variation in the distribution of en rs in the leaves. See also below. enbachia leopoldii
edges: THE POCKET
 ENCY CLOPEDIA OF
 INDOOR PLANTS
 IN COLOR
 A. Nicolaisen

 urdy,
 have
 10
 erect trunk with
 site,shieland holes. From the stems, large Philodendron scander
 Growth: Vigorous clim
 while very small on
 en leaves on long
 ield-like leaves
 unches of hanging aerial roots are
 formed. Older plants may, under favour Sweetheart Vine
 able conditions in conservatories or Habitat: West Indies.
 hothouses, develop large, calla-like G
 inforescences with white spathes. Later, with pointed, heart-shap
 s with dots and
 pale yellow and pale
 ultivated as a young plant and
 en. C
 carded when the bottom leaves are
 d, its value as an ornamental plant i
 s debatable
 e: Best in a warm greenhouse,
 o good in a room after careful har
 ing off. Thrives for a time in dee
 g off. Thom after caou but aromatic edible fruits appear, which
 de. Requires a lot of space.
 1S
 grow to lengths of 30 cr
 have a taste similar to that of a pine-
 specimens. New leave
 brown and almost trans
 Use: Decorative room plant, requiring a
 lot of space. Suitable for trellising to
 l: Soilless mixture or light leaf mould
 ding: 3 grams per litre (1 oz. per
 ter: Should be kept moist all the year
 ht: Never direct sunlight. Thrives in
 Use: Well suited as cli
 alls, doorways and large windows.
 Soil: Soilless mixture
 with added peat. pH
 Feeding: 3 gram
 gallon) every
 Fertiliser sh
 moist soil
 trellises or walls or as a
 plant, also as a ground
 rvatories. An amusin
 s to allow the pla
 enveloped in mois
 soil
 on) every week (March-October).
 nd. Will not stand drying out.
 dy rooms, halls or staircases.
 t: Poor growth if temperature falls
 w minimum 15° C. (60° F.) during
 er
 st attractive and
 amount in t
 ss mixture
 rams per
 Frequent spraying. especially in
 lit positions, the
 spots and edges.
 Heat: Normal room temp
 not less than 12° C. (55° F
 Air: Syringe during gro
 up to very good centrall he
 Re-potting: Every 3 orA years
 Propagation: By cuttig top shoots with
 the aerial roots atta hed. They should
 be planted in equal arts of soilless mi:x
 ее
 ai
 otting: Every spring, in spacious
 agation:
 By cuttings in a green
 in an enclosed atmosphere, with
 e
 Mealy bug, red spider mite
 ially when the growing point is
 ri
 it
 e and sand, and must be kept moist
 and warm
 Varieties: borsig ina (but correctly
 Monstera pertus, which has smaller
 eaves and mor aerial roots than the
 type, and grows ore rapidly and vigor-
 ously. Can al be used in smaller
 rooms. This is e variety illustrated.
 NOTE: Aerial pots, which--like ordin
 ary rootss ve as ducts for transmit
 The sap in the leaves and stems is
 nous
 varieties: There are many hybrids
 this and other species with a
 variation in the distribution of
 en
 rs in the leaves. See also below.
 enbachia leopoldii
edges: mithsonian smithchan.com/monsters nake CHANNELmanstersrake 02012 SNUSI Networks LL.C. All rights reserved Smithson legitimatelala: lokiwtf: gallizfrey: anneriawings: siphersaysstuff: honey-andrevolution: sashayed: silvermoon424: poppypicklesticks: billybatsonandjameshowlettsbro: cosmicallycosmopolitan: billybatsonandjameshowlettsbro: james-winston: The Titanoboa, is a 48ft long snake dating from around 60-58million years ago. It had a rib cage 2ft wide, allowing it to eat whole crocodiles, and surrounding the ribcage were muscles so powerful that it could crush a rhino. Titanoboa was so big it couldn’t even spend long amounts of time on land, because the force of gravity acting on it would cause it to suffocate under its own weight. I’m so glad they aren’t around omg me too. I’m scared enough of 26 ft long anacondas. I’m so happy Megalodons, those giant sharks, aren’t alive either Praise natural selection I remember watching Walking with Beasts or something similar, or some British tv show about evolution The subject was something like a 12 foot long water scorpion I was so startled by its sudden appearance and narration that I yelped: “12 fucking feet?!?!  I’m fucking glad it’s extinct!”  Dude, prehistory was home to some fucking TERRIFYING creatures. For some reason, everything back then was enormous and scary. Extinction doesn’t always have to be a bad thing! And Poppy, what you saw was an arthropod known as Pterygotus (it was actually featured in Walking With Monsters). Not only was it as big (or maybe even bigger) than your average human, it had a stinger the size of a lightbulb. REALLY glad that bugger isn’t around anymore. Also, Megalodon deserves to be mention again, because just hearing its name makes me want to never be submerged in water ever again. GOD, I HATE THIS POST. HOW DO WE EVEN KNOW THAT SHIT ISN’T STILL AROUND? LURKING? EVOLVING? WE DON’T. WE DON’T KNOW SHIT ABOUT SHIT DOWN THERE. THE OCEAN IS A PRIMEVAL HELLSCAPE NIGHTMARE AND WE ALL JUST DIP OUR STUPID FRAGILE UNPROTECTED FETUS BODIES AROUND THE EDGES OF IT LIKE THAT’S NORMAL. FUCK THE OCEAN. this is so relevant to my interests  It wasn’t just the predators. North Carolina was once home to giant ground sloths… THAT IS A GODDAMNED LEAF-EATING SLOTH. We’ve got a skeleton of one of these fuckers at the museum downtown, and man, just being NEAR it is unsettling. DON’T FORGET PREHISTORIC WHALES, SOME OF THOSE FUCKERS WERE TERRIFYING AMBULOCETUS WAS AMPHIBIOUS AND PRETTY BADASS BASILOSAURUS WAS THIS GIANT REPTILIAN CETACEAN THAT PROBABLY SWAM LIKE A DUMB EEL BECAUSE OF ITS TINY FLUKES BUT THIS FUCKER WAS 60 FEET LONG AND AT THE TOP OF THE MARINE FOOD CHAIN AND THEN THERE’S MY FAVORITE, ZYGOPHYSETER, WHICH WAS THIS HUGE EARLY SPERM WHALE THAT ATE SHARKS AND OTHER WHALES IT WAS NOTHING BUT TEETH The reason why the animals in the prehistoric times were so big was because there was much more oxygen in the atmosphere if I recall correctly. Because there was so much oxygen and so few carbon gasses, life on earth was able to grow to terrifying lengths and heights, don’t forget how giant the bugs were. I have never seen so much prime nope in a single post *Goes on Tumblr at 5am to help me go back to sleep for a bit longer* *Never sleeps again* Dammit I was born to late for all the fun
edges: mithsonian smithchan.com/monsters nake
 CHANNELmanstersrake
 02012 SNUSI Networks LL.C. All rights reserved Smithson
legitimatelala:

lokiwtf:

gallizfrey:

anneriawings:

siphersaysstuff:

honey-andrevolution:

sashayed:

silvermoon424:

poppypicklesticks:

billybatsonandjameshowlettsbro:

cosmicallycosmopolitan:

billybatsonandjameshowlettsbro:

james-winston:

The Titanoboa, is a 48ft long snake dating from around 60-58million years ago. It had a rib cage 2ft wide, allowing it to eat whole crocodiles, and surrounding the ribcage were muscles so powerful that it could crush a rhino. Titanoboa was so big it couldn’t even spend long amounts of time on land, because the force of gravity acting on it would cause it to suffocate under its own weight.

I’m so glad they aren’t around

omg me too. I’m scared enough of 26 ft long anacondas. I’m so happy Megalodons, those giant sharks, aren’t alive either

Praise natural selection

I remember watching Walking with Beasts or something similar, or some British tv show about evolution
The subject was something like a 12 foot long water scorpion
I was so startled by its sudden appearance and narration that I yelped: “12 fucking feet?!?!  I’m fucking glad it’s extinct!” 

Dude, prehistory was home to some fucking TERRIFYING creatures. For some reason, everything back then was enormous and scary. Extinction doesn’t always have to be a bad thing!
And Poppy, what you saw was an arthropod known as Pterygotus (it was actually featured in Walking With Monsters). Not only was it as big (or maybe even bigger) than your average human, it had a stinger the size of a lightbulb. REALLY glad that bugger isn’t around anymore.

Also, Megalodon deserves to be mention again, because just hearing its name makes me want to never be submerged in water ever again.


GOD, I HATE THIS POST. HOW DO WE EVEN KNOW THAT SHIT ISN’T STILL AROUND? LURKING? EVOLVING? WE DON’T. WE DON’T KNOW SHIT ABOUT SHIT DOWN THERE. THE OCEAN IS A PRIMEVAL HELLSCAPE NIGHTMARE AND WE ALL JUST DIP OUR STUPID FRAGILE UNPROTECTED FETUS BODIES AROUND THE EDGES OF IT LIKE THAT’S NORMAL. FUCK THE OCEAN.

this is so relevant to my interests 

It wasn’t just the predators. North Carolina was once home to giant ground sloths…

THAT IS A GODDAMNED LEAF-EATING SLOTH.
We’ve got a skeleton of one of these fuckers at the museum downtown, and man, just being NEAR it is unsettling.


DON’T FORGET PREHISTORIC WHALES, SOME OF THOSE FUCKERS WERE TERRIFYING
AMBULOCETUS WAS AMPHIBIOUS AND PRETTY BADASS

BASILOSAURUS WAS THIS GIANT REPTILIAN CETACEAN THAT PROBABLY SWAM LIKE A DUMB EEL BECAUSE OF ITS TINY FLUKES BUT THIS FUCKER WAS 60 FEET LONG AND AT THE TOP OF THE MARINE FOOD CHAIN
AND THEN THERE’S MY FAVORITE, ZYGOPHYSETER, WHICH WAS THIS HUGE EARLY SPERM WHALE THAT ATE SHARKS AND OTHER WHALES
IT WAS NOTHING BUT TEETH



The reason why the animals in the prehistoric times were so big was because there was much more oxygen in the atmosphere if I recall correctly. Because there was so much oxygen and so few carbon gasses, life on earth was able to grow to terrifying lengths and heights, don’t forget how giant the bugs were.


I have never seen so much prime nope in a single post


*Goes on Tumblr at 5am to help me go back to sleep for a bit longer*
*Never sleeps again*


Dammit I was born to late for all the fun

legitimatelala: lokiwtf: gallizfrey: anneriawings: siphersaysstuff: honey-andrevolution: sashayed: silvermoon424: poppypicklestic...

edges: Wait a second. What exactly is the message being conveyed here? Feel free to sabotage the product for the sake of making your own job easier? This worker just removed 47.64% of the material from the object he was assigned to transport! If one of his co-workers removed 47.64% of his cube to simply make a smaller cube, he'd move faster, too. And probably get fired for it. If the worker is going to carve up his cube, why not carve a cylinder? It'd be just as mobile as a sphere, but he'd only have to remove 21.46% of the mate- rial. And it would require less work to carve. While we're on the subject, though, how quickly did this worker carve a sphere out of a cube? Evi dently he didn't lose much headway. And he did it with that little pen-knife? Seriously? Do you know how difficult it is to carve a perfect sphere from a cube? That's some Ron Swanson shit right there. If the ultimate goal was to deliver a whole cube, then the worker has already failed. If the goal was to deliver as much of the material as quickly as possible, then he should have cut 4 edges off the cube [removing only 17.16%). An octagonal prism rolls just fine, with less material and time wasted. Don't Work Hard. Work Intelligent. But, for all we know, when the workers arrive at their destination, they may be required to stack the objects. In this case, our so-called intelligent worker has delivered an object that won't stack. Bravo, intelligent worker! Bravo! Oh, and it should read: "Work Intelligently." laughoutloud-club: Wait A Second, Just Think About It
edges: Wait a second. What exactly is the message being
 conveyed here? Feel free to sabotage the product
 for the sake of making your own job easier?
 This worker just removed 47.64% of the material
 from the object he was assigned to transport! If
 one of his co-workers removed 47.64% of his cube
 to simply make a smaller cube, he'd move faster,
 too. And probably get fired for it.
 If the worker is going to carve up his cube, why not
 carve a cylinder? It'd be just as mobile as a sphere,
 but he'd only have to remove 21.46% of the mate-
 rial. And it would require less work to carve.
 While we're on the subject, though, how quickly
 did this worker carve a sphere out of a cube? Evi
 dently he didn't lose much headway. And he did it
 with that little pen-knife? Seriously? Do you know
 how difficult it is to carve a perfect sphere from a
 cube? That's some Ron Swanson shit right there.
 If the ultimate goal was to deliver a whole cube,
 then the worker has already failed. If the goal was
 to deliver as much of the material as quickly as
 possible, then he should have cut 4 edges off the
 cube [removing only 17.16%). An octagonal prism
 rolls just fine, with less material and time wasted.
 Don't Work Hard.
 Work Intelligent.
 But, for all we know, when the workers arrive at
 their destination, they may be required to stack
 the objects. In this case, our so-called intelligent
 worker has delivered an object that won't stack.
 Bravo, intelligent worker! Bravo!
 Oh, and it should read: "Work Intelligently."
laughoutloud-club:

Wait A Second, Just Think About It

laughoutloud-club: Wait A Second, Just Think About It

edges: Wait a second. What exactly is the message being conveyed here? Feel free to sabotage the product for the sake of making your own job easier? This worker just removed 47.64% of the material from the object he was assigned to transport! If one of his co-workers removed 47.64% of his cube to simply make a smaller cube, he'd move faster, too. And probably get fired for it. If the worker is going to carve up his cube, why not carve a cylinder? It'd be just as mobile as a sphere, but he'd only have to remove 21.46% of the mate- rial. And it would require less work to carve. While we're on the subject, though, how quickly did this worker carve a sphere out of a cube? Evi dently he didn't lose much headway. And he did it with that little pen-knife? Seriously? Do you know how difficult it is to carve a perfect sphere from a cube? That's some Ron Swanson shit right there. If the ultimate goal was to deliver a whole cube, then the worker has already failed. If the goal was to deliver as much of the material as quickly as possible, then he should have cut 4 edges off the cube [removing only 17.16%]. An octagonal prism rolls just fine, with less material and time wasted. Don't Work Hard. Work Intelligent. But, for all we know, when the workers arrive at their destination, they may be required to stack the objects. In this case, our so-called intelligent worker has delivered an object that won't stack. Bravo, intelligent worker! Bravo! Oh, and it should read:"work intelligently." meirl by Alarid FOLLOW HERE 4 MORE MEMES.
edges: Wait a second. What exactly is the message being
 conveyed here? Feel free to sabotage the product
 for the sake of making your own job easier?
 This worker just removed 47.64% of the material
 from the object he was assigned to transport! If
 one of his co-workers removed 47.64% of his cube
 to simply make a smaller cube, he'd move faster,
 too. And probably get fired for it.
 If the worker is going to carve up his cube, why not
 carve a cylinder? It'd be just as mobile as a sphere,
 but he'd only have to remove 21.46% of the mate-
 rial. And it would require less work to carve.
 While we're on the subject, though, how quickly
 did this worker carve a sphere out of a cube? Evi
 dently he didn't lose much headway. And he did it
 with that little pen-knife? Seriously? Do you know
 how difficult it is to carve a perfect sphere from a
 cube? That's some Ron Swanson shit right there.
 If the ultimate goal was to deliver a whole cube,
 then the worker has already failed. If the goal was
 to deliver as much of the material as quickly as
 possible, then he should have cut 4 edges off the
 cube [removing only 17.16%]. An octagonal prism
 rolls just fine, with less material and time wasted.
 Don't Work Hard.
 Work Intelligent.
 But, for all we know, when the workers arrive at
 their destination, they may be required to stack
 the objects. In this case, our so-called intelligent
 worker has delivered an object that won't stack.
 Bravo, intelligent worker! Bravo!
 Oh, and it should read:"work intelligently."
meirl by Alarid
FOLLOW HERE 4 MORE MEMES.

meirl by Alarid FOLLOW HERE 4 MORE MEMES.

edges: Wait a second. What exactly is the message being conveyed here? Feel free to sabotage the product for the sake of making your own job easier? This worker just removed 47.64% of the material from the object he was assigned to transport! If one of his co-workers removed 47.64% of his cube to simply make a smaller cube, he'd move faster, too. And probably get fired for it. If the worker is going to carve up his cube, why not carve a cylinder? It'd be just as mobile as a sphere, but he'd only have to remove 21.46% of the mate- rial. And it would require less work to carve. While we're on the subject, though, how quickly did this worker carve a sphere out of a cube? Evi dently he didn't lose much headway. And he did it with that little pen-knife? Seriously? Do you know how difficult it is to carve a perfect sphere from a cube? That's some Ron Swanson shit right there. If the ultimate goal was to deliver a whole cube, then the worker has already failed. If the goal was to deliver as much of the material as quickly as possible, then he should have cut 4 edges off the cube [removing only 17.16%]. An octagonal prism rolls just fine, with less material and time wasted. Don't Work Hard. Work Intelligent. But, for all we know, when the workers arrive at their destination, they may be required to stack the objects. In this case, our so-called intelligent worker has delivered an object that won't stack. Bravo, intelligent worker! Bravo! Oh, and it should read:"work intelligently." meirl
edges: Wait a second. What exactly is the message being
 conveyed here? Feel free to sabotage the product
 for the sake of making your own job easier?
 This worker just removed 47.64% of the material
 from the object he was assigned to transport! If
 one of his co-workers removed 47.64% of his cube
 to simply make a smaller cube, he'd move faster,
 too. And probably get fired for it.
 If the worker is going to carve up his cube, why not
 carve a cylinder? It'd be just as mobile as a sphere,
 but he'd only have to remove 21.46% of the mate-
 rial. And it would require less work to carve.
 While we're on the subject, though, how quickly
 did this worker carve a sphere out of a cube? Evi
 dently he didn't lose much headway. And he did it
 with that little pen-knife? Seriously? Do you know
 how difficult it is to carve a perfect sphere from a
 cube? That's some Ron Swanson shit right there.
 If the ultimate goal was to deliver a whole cube,
 then the worker has already failed. If the goal was
 to deliver as much of the material as quickly as
 possible, then he should have cut 4 edges off the
 cube [removing only 17.16%]. An octagonal prism
 rolls just fine, with less material and time wasted.
 Don't Work Hard.
 Work Intelligent.
 But, for all we know, when the workers arrive at
 their destination, they may be required to stack
 the objects. In this case, our so-called intelligent
 worker has delivered an object that won't stack.
 Bravo, intelligent worker! Bravo!
 Oh, and it should read:"work intelligently."
meirl

meirl

edges: Wait a second. What exactly is the message being conveyed here? Feel free to sabotage the product for the sake of making your own job easier? This worker just removed 47.64% of the material from the object he was assigned to transport! If one of his co-workers removed 47.64% of his cube to simply make a smaller cube, he'd move faster, too. And probably get fired for it. If the worker is going to carve up his cube, why not carve a cylinder? It'd be just as mobile as a sphere, but he'd only have to remove 21.46% of the mate- rial. And it would require less work to carve. While we're on the subject, though, how quickly did this worker carve a sphere out of a cube? Evi dently he didn't lose much headway. And he did it with that little pen-knife? Seriously? Do you know how difficult it is to carve a perfect sphere from a cube? That's some Ron Swanson shit right there. If the ultimate goal was to deliver a whole cube, then the worker has already failed. If the goal was to deliver as much of the material as quickly as possible, then he should have cut 4 edges off the cube [removing only 17.16%]. An octagonal prism rolls just fine, with less material and time wasted. Don't Work Hard. Work Intelligent. But, for all we know, when the workers arrive at their destination, they may be required to stack the objects. In this case, our so-called intelligent worker has delivered an object that won't stack. Bravo, intelligent worker! Bravo! Oh, and it should read:"work intelligently." meirl
edges: Wait a second. What exactly is the message being
 conveyed here? Feel free to sabotage the product
 for the sake of making your own job easier?
 This worker just removed 47.64% of the material
 from the object he was assigned to transport! If
 one of his co-workers removed 47.64% of his cube
 to simply make a smaller cube, he'd move faster,
 too. And probably get fired for it.
 If the worker is going to carve up his cube, why not
 carve a cylinder? It'd be just as mobile as a sphere,
 but he'd only have to remove 21.46% of the mate-
 rial. And it would require less work to carve.
 While we're on the subject, though, how quickly
 did this worker carve a sphere out of a cube? Evi
 dently he didn't lose much headway. And he did it
 with that little pen-knife? Seriously? Do you know
 how difficult it is to carve a perfect sphere from a
 cube? That's some Ron Swanson shit right there.
 If the ultimate goal was to deliver a whole cube,
 then the worker has already failed. If the goal was
 to deliver as much of the material as quickly as
 possible, then he should have cut 4 edges off the
 cube [removing only 17.16%]. An octagonal prism
 rolls just fine, with less material and time wasted.
 Don't Work Hard.
 Work Intelligent.
 But, for all we know, when the workers arrive at
 their destination, they may be required to stack
 the objects. In this case, our so-called intelligent
 worker has delivered an object that won't stack.
 Bravo, intelligent worker! Bravo!
 Oh, and it should read:"work intelligently."
meirl

meirl

edges: angryvoiddetective: bunjywunjy: karn-libated: saunter-vaguely-into-a-bookshop: iamemeraldfox: simonalkenmayer: build-a-diy: 8-foot giant squid pillow. You’ll need: 2 yards of felt 1 yard of patterned fabric (I suggest a polka dot-type pattern so it looks like suction cups) 1 medium piece of black felt, 1 medium piece of white felt (for the eyes) white thread, black thread and thread of the same color as the felt you’re using pins about 5 lbs. of stuffing a couple big sheets of paper to draw your pattern First, you need to draw out your patterns. Here’s a basic template to get you started, although most of the measurements are reasonably fudgeable. If in the likely event you don’t have any four-foot-long pieces of paper lying around, just tape a few pieces together. Once you’ve drawn out your eight patterns, it’s time to cut the fabric. Pin the pattern to the fabric, laid flat, and cut out the following, leaving a half an inch or so of extra fabric around the edge of the pattern: FOR THE ARMS: 8 felt and 8 fabric cutouts of piece 1 FOR THE, UH, LONGER ARMS: 2 felt and 2 fabric cutouts of piece 2 FOR THE BODY: 2 felt cutouts of piece 3 FOR THE FIN: 4 felt cutouts of piece 4 FOR THE HEAD: 1 felt cutouts of piece 6 FOR THE EYES: 2 white felt cutouts of piece 7 and 2 black felt cutouts of piece 8 So now you’ve got all your pieces ready, it’s time to start sewing them together. I did mine by hand because my sewing machine is busted and I get a kind of Zen buzz from sewing by hand, but if you have a non-busted one I recommend that you use it as it will be MUCH EASIER. You’re going to be sewing everything with the nice side of the fabric facing in, then turning it inside out to stuff it. THE ARMS: (To make a quilted pattern that looks like suckers, see this other post). Pin together one patterned fabric piece 1 and one felt piece 1 (with the nice sides facing the inside). Sew down around the U-shape and back up, leaving the top open. Then turn the arm inside out, stuff it (it’s easiest to do both of these things if you sort of scrunch it up like you’re trying to put on a pair of tights, excuse the non-dude-friendly reference) and sew the top closed. Do the same for the other seven arms and rejoice in the fact that this is the most tedious part. Same deal with the two long arms, they’re just harder to stuff. THE FINS: Pin together two of your piece 4s and sew together the curvy outer edge. Turn the piece inside out, so the seam you just sewed is on the inside, and start sewing up the other side, stuffing gradually as you go along. You should end up with a triangle-ish puffy thing. Repeat for the other two piece 4s. THE BODY: Put down one piece 3, then place the two fins you have down with the point up and the curvy side pointing in, then make a sandwich by putting the other piece 3 down on top. Pin it all together and sew around the edges with the two fins still inside, as shown. Turn it inside out and move on to… THE HEAD: So take piece 6 and the ten arms you’ve already done. Lay the arms, fabric side facing you, out with the arms’ top seams in a line half an inch from the top of piece 6. The order should be arm arm arm arm BIG ARM arm arm arm arm BIG ARM. The legs should be almost entirely covering piece 6. Pin them in place and sew a straight line through the individual legs seams to attach the legs to piece 6. When you pick up the other side of piece 6, you now have something resembling a really weird untied hula skirt. Sew together the two 9-inch ends of piece 6 with the fabric side of the arms on the outside, and keep it inside out for the moment. PUTTING IT ALL TOGETHER: Fit the open end of the body through the arms (still fabric side facing out) and pull the edge all the way through the felt cylinder so it’s even with the edge that DOESN’T have arms attached to it. Sew around the diameters of the head cylinder and the body cylinder to attach them, then pull the legs down over the head and you’re almost done! Stuff the body, then seal it off by sewing piece 5 over the open end (even if you do have a functional sewing machine, you’ll probably have to do this part by hand). THE EYES: Sew the black circles on the white circles and whipstitch the eyes onto the head. You do this last because you can’t tell where they’re going to end up on the end product if you put them on before stuffing the body. Oh my! The only plushie I’d allow on my couch. Goals tbh I adore this @bunjywunjy this seems like your kind of squid a friend of mine has one of these in red and green plaid and we called him Christmas Squid and used him instead of a tree @ceriseal
edges: angryvoiddetective:
bunjywunjy:

karn-libated:

saunter-vaguely-into-a-bookshop:

iamemeraldfox:


simonalkenmayer:

build-a-diy:

8-foot giant squid pillow.
You’ll need:
2 yards of felt
1 yard of patterned fabric (I suggest a polka dot-type pattern so it looks like suction cups)
1 medium piece of black felt, 1 medium piece of white felt (for the eyes)
white thread, black thread and thread of the same color as the felt you’re using
pins
about 5 lbs. of stuffing
a couple big sheets of paper to draw your pattern
First, you need to draw out your patterns. Here’s a basic template to get you started, although most of the measurements are reasonably fudgeable. If in the likely event you don’t have any four-foot-long pieces of paper lying around, just tape a few pieces together.
Once you’ve drawn out your eight patterns, it’s time to cut the fabric. Pin the pattern to the fabric, laid flat, and cut out the following, leaving a half an inch or so of extra fabric around the edge of the pattern:
FOR THE ARMS: 8 felt and 8 fabric cutouts of piece 1
FOR THE, UH, LONGER ARMS: 2 felt and 2 fabric cutouts of piece 2
FOR THE BODY: 2 felt cutouts of piece 3
FOR THE FIN: 4 felt cutouts of piece 4
FOR THE HEAD: 1 felt cutouts of piece 6
FOR THE EYES: 2 white felt cutouts of piece 7 and 2 black felt cutouts of piece 8
So now you’ve got all your pieces ready, it’s time to start sewing them together. I did mine by hand because my sewing machine is busted and I get a kind of Zen buzz from sewing by hand, but if you have a non-busted one I recommend that you use it as it will be MUCH EASIER. You’re going to be sewing everything with the nice side of the fabric facing in, then turning it inside out to stuff it.
THE ARMS: (To make a quilted pattern that looks like suckers, see this other post). Pin together one patterned fabric piece 1 and one felt piece 1 (with the nice sides facing the inside). Sew down around the U-shape and back up, leaving the top open. Then turn the arm inside out, stuff it (it’s easiest to do both of these things if you sort of scrunch it up like you’re trying to put on a pair of tights, excuse the non-dude-friendly reference) and sew the top closed. Do the same for the other seven arms and rejoice in the fact that this is the most tedious part. Same deal with the two long arms, they’re just harder to stuff.
THE FINS: Pin together two of your piece 4s and sew together the curvy outer edge. Turn the piece inside out, so the seam you just sewed is on the inside, and start sewing up the other side, stuffing gradually as you go along. You should end up with a triangle-ish puffy thing. Repeat for the other two piece 4s.
THE BODY: Put down one piece 3, then place the two fins you have down with the point up and the curvy side pointing in, then make a sandwich by putting the other piece 3 down on top. Pin it all together and sew around the edges with the two fins still inside, as shown. Turn it inside out and move on to…

THE HEAD: So take piece 6 and the ten arms you’ve already done. Lay the arms, fabric side facing you, out with the arms’ top seams in a line half an inch from the top of piece 6. The order should be arm arm arm arm BIG ARM arm arm arm arm BIG ARM. The legs should be almost entirely covering piece 6. Pin them in place and sew a straight line through the individual legs seams to attach the legs to piece 6.
When you pick up the other side of piece 6, you now have something resembling a really weird untied hula skirt. Sew together the two 9-inch ends of piece 6 with the fabric side of the arms on the outside, and keep it inside out for the moment.
PUTTING IT ALL TOGETHER: Fit the open end of the body through the arms (still fabric side facing out) and pull the edge all the way through the felt cylinder so it’s even with the edge that DOESN’T have arms attached to it. Sew around the diameters of the head cylinder and the body cylinder to attach them, then pull the legs down over the head and you’re almost done!
Stuff the body, then seal it off by sewing piece 5 over the open end (even if you do have a functional sewing machine, you’ll probably have to do this part by hand).
THE EYES: Sew the black circles on the white circles and whipstitch the eyes onto the head. You do this last because you can’t tell where they’re going to end up on the end product if you put them on before stuffing the body.

Oh my!


The only plushie I’d allow on my couch. Goals tbh


I adore this


@bunjywunjy this seems like your kind of squid

a friend of mine has one of these in red and green plaid and we called him Christmas Squid and used him instead of a tree

@ceriseal

angryvoiddetective: bunjywunjy: karn-libated: saunter-vaguely-into-a-bookshop: iamemeraldfox: simonalkenmayer: build-a-diy: 8-foot...