🔥 | Latest

Head, Hungry, and Lazy: The "I'm Not Angry" Mark Usage: When you need to be brief, but you're not angry Example We need to talk The Sinceriod Usage When you want to break out of your cycnical shell and be truly honest with someone. Example: Oh, wow, Thank you, This sweater is just what I wanted Sarcastises Usage The opposite of the sinceriod. Use when you want to be sarcastic, but in a way that's totally different and better from whatever system you're using now. Example: Oh, wow. Thank you. This sweater is just what I wanted. Hemi-Demi-Semi Colon Usage: If you don't know when it's appropriate to use a semi-colon, and you're too lazy to learn, you can use this in place of commas, semi-colons, and periods. Pretty much wherever you feel like it Eхample: Now I can act superior and avoid learning anything I'm a stain on humanity Andorpersand Usage: One simple symbol for "and/or" Example: Some people hate the very existence of the phrase "and/or, " but these people are uptight &o stupid Mockwotation Marks Usage: For quoting something that someone didn't say, but totally would say with the way they're being right now. The written equivalent of doing an impression of someone by saying "Look at me, I'm so-and-so" and wiggling your hands by your head, and speaking in a high-pitched voice. I'm Stacey. I'm going to complain about being hungry but not offer any suggestions of my own, said Stacey. Collegelf Superellipsis Usage: For an extreme dramatic pause. When you want the reader to wait a good 20 seconds before reading the next part of the sentence. Maybe even imagine the lights flickering and some thunder crashing. Example: He paused, cautiously, as he approached the superellipsis. On the other side he found... more words! Collegelm Morgan Freemark Usage: Reminds readers that they can read words in any voice they want, so maybe they should read these words in Morgan Freeman's voice. Example: And so, Kevin took this big swig of vodka and straight-up ran head-first into the wall you should probably go to TheMetaPicture.com lolzandtrollz: New And Necessary Punctuation Marks
Head, Hungry, and Lazy: The "I'm Not Angry" Mark
 Usage:
 When you need to be brief,
 but you're not angry
 Example
 We need to talk
 The Sinceriod
 Usage
 When you want to break out of your
 cycnical shell and be truly honest
 with someone.
 Example:
 Oh, wow, Thank you, This sweater
 is just what I wanted
 Sarcastises
 Usage
 The opposite of the sinceriod. Use when
 you want to be sarcastic, but in a way
 that's totally different and better from
 whatever system you're using now.
 Example:
 Oh, wow. Thank you. This sweater is
 just what I wanted.
 Hemi-Demi-Semi Colon
 Usage:
 If you don't know when it's appropriate to use a
 semi-colon, and you're too lazy to learn, you can use
 this in place of commas, semi-colons, and periods.
 Pretty much wherever you feel like it
 Eхample:
 Now I can act superior and avoid learning anything
 I'm a stain on humanity
 Andorpersand
 Usage:
 One simple symbol for "and/or"
 Example:
 Some people hate the very
 existence of the phrase "and/or, "
 but these people are uptight &o
 stupid
 Mockwotation Marks
 Usage:
 For quoting something that someone
 didn't say, but totally would say with the
 way they're being right now. The written
 equivalent of doing an impression of
 someone by saying "Look at me, I'm
 so-and-so" and wiggling your hands by
 your head, and speaking in a high-pitched
 voice.
 I'm Stacey. I'm going to complain about
 being hungry but not offer any suggestions
 of my own, said Stacey.
 Collegelf
 Superellipsis
 Usage:
 For an extreme dramatic pause. When you want the reader to
 wait a good 20 seconds before reading the next part of the
 sentence. Maybe even imagine the lights flickering and some
 thunder crashing.
 Example:
 He paused, cautiously, as he approached the superellipsis. On
 the other side he found... more words!
 Collegelm
 Morgan Freemark
 Usage:
 Reminds readers that they can read words in
 any voice they want, so maybe they should
 read these words in Morgan Freeman's voice.
 Example:
 And so, Kevin took this big swig of vodka
 and straight-up ran head-first into the wall
 you should probably go to TheMetaPicture.com
lolzandtrollz:

New And Necessary Punctuation Marks

lolzandtrollz: New And Necessary Punctuation Marks

Com, You, and For: VA SGAG COM because its easier and more civilized to fool you that it is to end your pathetic excuse for existence.
nsfw
Com, You, and For: VA SGAG COM
because its easier and more civilized to fool you that it is to end your pathetic excuse for existence.

because its easier and more civilized to fool you that it is to end your pathetic excuse for existence.

Apparently, Bad, and Comfortable: theladyzephyr: Folks let me talk about Crowley and sunglasses, because I have a lot of emotions about when he wears them and when he doesn’t, and Hiding versus Being Seen. We’re introduced to the concept of Crowley wearing glasses even before we’re introduced to Crowley, by Hastur: “If you ask me he’s been up here too long. Gone native. Enjoying himself too much. Wearing sunglasses even when he doesn’t need them.” Honestly Crowley’s whole introduction is a fantastic; we learn so much about his character in a tiny amount of time. The fact that he’s late, the Queen playing as the Bentley approaches, the “Hi, guys” in response to Hastur and Ligur’s “Hail Satan”. I like this intro much better than the one originally scripted with the rats at the phone company, but I digress. Crowley wears sunglasses when he doesn’t need them. Specifically, he still wears them around the demons, and when he’s in hell. You know where Crowley doesn’t wear glasses? At home. We never once see him wearing glasses in his flat, except for when he knows Hastur and Ligur are coming. That’s an emotional kick to the gut for me. Here’s one of the only places Crowley’s comfortable enough to be sans glasses, and when he knows it’s going to be invaded he prepares not just physically with the holy water, but by putting up that emotional barrier in a place where he wasn’t supposed to need it. An argument could be made that Crowley actually never needs glasses. We’re shown that it’s well within the angels’ and demons’ powers to pass unnoticed by humans. Crowley and Aziraphale waltz out of the manor in the middle of a police raid, and going unnoticed by the police takes so little effort that they can keep up a conversation while they stroll through. Even an unimaginative demon like Hastur apparently doesn’t have trouble with the humans losing it over his demonic eyes. The humans in the scene at Megiddo are acting like “this guy is a little weird” and not “holy shit his entire eyeballs are black jelly” That means that Crowley’s glasses are a choice, just like Aziraphale’s softness. Sure, he could arrange matters so that nobody ever noticed his eyes, but he doesn’t want to. Crowley wants acceptance, and he wants to belong, and he’s never, ever had that. He didn’t fit in before the Fall in Heaven, he doesn’t fit in with the demons in Hell. With the glasses, and with the Bentley and his plants and with the barely-bad-enough-to-be-evil nuisance temptations, he’s choosing Earth. This is where he wants to fit in, perhaps not with the humans, but amongst them. Even after Crowley is at his absolute lowest, when he thinks Aziraphale’s dead and he’s on his way to drink until the world ends, he takes the time to put a new pair on when the old ones are damaged. He needs that emotional crutch right now, even with everything about to turn into a pile of puddling goo he’s not ready for the world to see his eyes. Which is why I swore out loud when Hastur forcibly takes them off. It’s about the worst thing that Hastur could have done. Rather than leading with a physical threat, his first act is to strip away Crowley’s emotional defences. It’s a great writing choice because god it made me hate Hastur, even more than all the physical violence we see him do. It’s also the moment that Crowley really truly gets his shit together, and focuses all of his considerable imagination on getting to Tadfield and Aziraphale to help save the world. He’s wielding the terrifyingly unimaginable power of someone who’s hit rock bottom and realised it literally could not get any worse than this. He doesn’t put another pair of glasses on after discorporating Hastur, and he spends the majority of the airbase sequence without them. He puts them back on again, I think, at the moment that he really lets himself hope. When he thinks ‘shit, there may be a real chance that we get through this to a future that I don’t want to lose’. The vulnerability is back, and he needs Adam to trust him. In Crowley’s mind being accepted by a human means he needs to have his eyes hidden. Someone give the demon a hug, please. Interestingly, there’s only one time in the whole series that we see Crowley willingly choose to take his glasses off around another person. Only one person he’ll take down that barrier for, and even then he’s drunk before he does it. Dear God/Satan/Someone that makes my heart ache. Crowley’s chosen Earth, but he’s also chosen Aziraphale. He’s been looking for somewhere to belong his entire existence, and it’s with the angel that he finally feels it. When the dust settles and the world is saved and they finally have space to be themselves unguarded, I like to imagine Crowley takes off the glasses when it’s just the two of them; the idea of being known doesn’t scare him quite so much anymore.  
Apparently, Bad, and Comfortable: theladyzephyr:

Folks let me talk about Crowley and sunglasses, because I have a lot of emotions about when he wears them and when he doesn’t, and Hiding versus Being Seen.
We’re introduced to the concept of Crowley wearing glasses even before we’re introduced to Crowley, by Hastur: “If you ask me he’s been up here too long. Gone native. Enjoying himself too much. Wearing sunglasses even when he doesn’t need them.”
Honestly Crowley’s whole introduction is a fantastic; we learn so much about his character in a tiny amount of time. The fact that he’s late, the Queen playing as the Bentley approaches, the “Hi, guys” in response to Hastur and Ligur’s “Hail Satan”. I like this intro much better than the one originally scripted with the rats at the phone company, but I digress.
Crowley wears sunglasses when he doesn’t need them. Specifically, he still wears them around the demons, and when he’s in hell.
You know where Crowley doesn’t wear glasses? At home.
We never once see him wearing glasses in his flat, except for when he knows Hastur and Ligur are coming. That’s an emotional kick to the gut for me. Here’s one of the only places Crowley’s comfortable enough to be sans glasses, and when he knows it’s going to be invaded he prepares not just physically with the holy water, but by putting up that emotional barrier in a place where he wasn’t supposed to need it.
An argument could be made that Crowley actually never needs glasses. We’re shown that it’s well within the angels’ and demons’ powers to pass unnoticed by humans. Crowley and Aziraphale waltz out of the manor in the middle of a police raid, and going unnoticed by the police takes so little effort that they can keep up a conversation while they stroll through. Even an unimaginative demon like Hastur apparently doesn’t have trouble with the humans losing it over his demonic eyes. The humans in the scene at Megiddo are acting like “this guy is a little weird” and not “holy shit his entire eyeballs are black jelly”
That means that Crowley’s glasses are a choice, just like Aziraphale’s softness. Sure, he could arrange matters so that nobody ever noticed his eyes, but he doesn’t want to. Crowley wants acceptance, and he wants to belong, and he’s never, ever had that. He didn’t fit in before the Fall in Heaven, he doesn’t fit in with the demons in Hell. With the glasses, and with the Bentley and his plants and with the barely-bad-enough-to-be-evil nuisance temptations, he’s choosing Earth. This is where he wants to fit in, perhaps not with the humans, but amongst them.
Even after Crowley is at his absolute lowest, when he thinks Aziraphale’s dead and he’s on his way to drink until the world ends, he takes the time to put a new pair on when the old ones are damaged. He needs that emotional crutch right now, even with everything about to turn into a pile of puddling goo he’s not ready for the world to see his eyes.
Which is why I swore out loud when Hastur forcibly takes them off.
It’s about the worst thing that Hastur could have done. Rather than leading with a physical threat, his first act is to strip away Crowley’s emotional defences. It’s a great writing choice because god it made me hate Hastur, even more than all the physical violence we see him do.
It’s also the moment that Crowley really truly gets his shit together, and focuses all of his considerable imagination on getting to Tadfield and Aziraphale to help save the world. He’s wielding the terrifyingly unimaginable power of someone who’s hit rock bottom and realised it literally could not get any worse than this. He doesn’t put another pair of glasses on after discorporating Hastur, and he spends the majority of the airbase sequence without them.
He puts them back on again, I think, at the moment that he really lets himself hope. When he thinks ‘shit, there may be a real chance that we get through this to a future that I don’t want to lose’.
The vulnerability is back, and he needs Adam to trust him. In Crowley’s mind being accepted by a human means he needs to have his eyes hidden. Someone give the demon a hug, please.
Interestingly, there’s only one time in the whole series that we see Crowley willingly choose to take his glasses off around another person. Only one person he’ll take down that barrier for, and even then he’s drunk before he does it.
Dear God/Satan/Someone that makes my heart ache. Crowley’s chosen Earth, but he’s also chosen Aziraphale. He’s been looking for somewhere to belong his entire existence, and it’s with the angel that he finally feels it.
When the dust settles and the world is saved and they finally have space to be themselves unguarded, I like to imagine Crowley takes off the glasses when it’s just the two of them; the idea of being known doesn’t scare him quite so much anymore.  

theladyzephyr: Folks let me talk about Crowley and sunglasses, because I have a lot of emotions about when he wears them and when he doesn’...

Af, Ass, and Big Dick: fleur-cannnon: afairlypudgycat: whiskeyworen: jaxblade: norseminuteman: red-faced-wolf: kasaron: bears-for-the-bear-god: the-goddamn-doomguy: captainsnoop: big dick energy Exactly the kind of response Doomguy should get when he walks into a room with other humans. This is genuinely beyond big dick energy It’s honestly Argent Phallus Energy (APE) Holy shit Everyone is talking about key-card guy, but my favorite is the dude who tries to hide behind his swivel chair. Babe, babe, No, Doomguy jumps dick first into hell portals on an hourly basis and pops berserker power ups like your mom pops xanax. That chair aint doin SHIT.  Also I love how they don’t just seem to be afraid of the fact that the apex predator of the Legions of Armageddon just walked in. They are acting like they think he might attack them, because you know the UAC has waged a serious PR war against Doom-Chad while he’s been kicking ass on Mars/Hell.   ALPHA AF!!! I just love the fact that DoomGuy spots the keycard on the dude’s lanyard, and instead of doing a vicious yank, or simply snapping it off the lanyard like he always does, he very, VERY carefully takes it, and slowly pulls the dude to the scanner, before letting him go.For a dude filled with eternal rage and seething violence, that was remarkably polite of him. It was almost his “…Excuse me. I require this. Pardon my reach.”Then that poor marine. “Hey YOU! You can’t… be… here…” DoomGuy just casually approaches, looks at him, looks at his gun, and then still remarkably politely, just takes it. Doesn’t wrench it away, or kill the guy, or anything violent. Just reaches out and retrieves it. Again, like “You are doing a fine job. That’s a fine weapon. Mind if I see it? *takes it and walks away*”It’s as if he’s being very, VERY careful not to harm normal humans (or whatever augmented humans those armored marines qualify as), saving his violence specifically for the Daemonic.Kinda supports my idea that DoomGuy isn’t neccessarily a bloodthirsty raging psycho. He’s a guy who has seen so much, done SO MUCH… that he’s calm. He’s so far beyond wrath at the demons that he’s entered a weird Calm and just LIVES there. Nothing shakes him of it. He doesn’t grunt, he doesn’t yell, he doesn’t scream, he just breathes and moves on. New demon? Well, it’ll bleed like the last. He doesn’t revel in combat, he just moves through it like walking through air; it’s a function of existence for him. Doomguy dissociating 100% of the time Within the first few minutes of Doom 2016 and throughout much of the remainder of the game it’s clear that Doomguy values human life A LOT. Humans are never his enemy, it’s the demons. He looks at the dead man in the elevator as Hayden says something along the lines of “I swear it was for the greater good.” Doomguy sees right in front of him it wasn’t, and I betcha right then Doomguy was against Hayden. Doomguy doesn’t take kindly to crimes against humanity, even if accidental.
Af, Ass, and Big Dick: fleur-cannnon:

afairlypudgycat:

whiskeyworen:

jaxblade:

norseminuteman:

red-faced-wolf:

kasaron:


bears-for-the-bear-god:

the-goddamn-doomguy:

captainsnoop:
big dick energy
Exactly the kind of response Doomguy should get when he walks into a room with other humans.


This is genuinely beyond big dick energy

It’s honestly Argent Phallus Energy (APE)


Holy shit 

Everyone is talking about key-card guy, but my favorite is the dude who tries to hide behind his swivel chair. Babe, babe, No, Doomguy jumps dick first into hell portals on an hourly basis and pops berserker power ups like your mom pops xanax. That chair aint doin SHIT. 
Also I love how they don’t just seem to be afraid of the fact that the apex predator of the Legions of Armageddon just walked in. They are acting like they think he might attack them, because you know the UAC has waged a serious PR war against Doom-Chad while he’s been kicking ass on Mars/Hell.  

ALPHA AF!!!

I just love the fact that DoomGuy spots the keycard on the dude’s lanyard, and instead of doing a vicious yank, or simply snapping it off the lanyard like he always does, he very, VERY carefully takes it, and slowly pulls the dude to the scanner, before letting him go.For a dude filled with eternal rage and seething violence, that was remarkably polite of him. It was almost his “…Excuse me. I require this. Pardon my reach.”Then that poor marine. “Hey YOU! You can’t… be… here…” DoomGuy just casually approaches, looks at him, looks at his gun, and then still remarkably politely, just takes it. Doesn’t wrench it away, or kill the guy, or anything violent. Just reaches out and retrieves it. Again, like “You are doing a fine job. That’s a fine weapon. Mind if I see it? *takes it and walks away*”It’s as if he’s being very, VERY careful not to harm normal humans (or whatever augmented humans those armored marines qualify as), saving his violence specifically for the Daemonic.Kinda supports my idea that DoomGuy isn’t neccessarily a bloodthirsty raging psycho. He’s a guy who has seen so much, done SO MUCH… that he’s calm. He’s so far beyond wrath at the demons that he’s entered a weird Calm and just LIVES there. Nothing shakes him of it. He doesn’t grunt, he doesn’t yell, he doesn’t scream, he just breathes and moves on. New demon? Well, it’ll bleed like the last. He doesn’t revel in combat, he just moves through it like walking through air; it’s a function of existence for him.

Doomguy dissociating 100% of the time


Within the first few minutes of Doom 2016 and throughout much of the remainder of the game it’s clear that Doomguy values human life A LOT. Humans are never his enemy, it’s the demons. He looks at the dead man in the elevator as Hayden says something along the lines of “I swear it was for the greater good.” Doomguy sees right in front of him it wasn’t, and I betcha right then Doomguy was against Hayden. Doomguy doesn’t take kindly to crimes against humanity, even if accidental.

fleur-cannnon: afairlypudgycat: whiskeyworen: jaxblade: norseminuteman: red-faced-wolf: kasaron: bears-for-the-bear-god: the-goddam...

Clothes, Fucking, and Gif: Bend thathighclassbitch: asprodente: darkvioletcloud: trilllizard666: ilyvbs: popipo12345: ilyvbs: nessa but she isn’t hypersexualized and her back makes sense  “Nintendo always gives their black female characters revealing outfits!!!!” Lenora, Pokemon Black and White Iris, Pokemon Black and White Twintelle, ARMS if anyone’s got any other examples, feel free to add on. HOW IS NOT OVERSEXUALIZED  also lenora looks like a mammy iris is the only fucking one with an okay design how about you listen to black people when they try to tell you shit huh “Lenora looks like a mammy” ….please learn what a mammy looks like before more stupid spills out of your mouth, thanks LENORA IS AN ARCHAEOLOGIST YOU STUPID FUCKING IDIOTS THAT APRON? KEEPS THE DUST OFF OF HER BLOUSE WHEN SHE’S UNCOVERING SHIT PLAY THE FUCKING GAME AND YOU’D REALIZE IT And excuse me, OP? How is this hypersexualized? It’s not even sexualized, it’s just a fucking two-piece swim suit. It’s less revealing than a bikini. Fuck off. Tumblr: girls should be able to wear whatever they want!!!! Female character: shows any skin Tumblr: “Lenora looks like a mammy” what the fucking fuck? She’s just wearing a blouse and wide leg pants and holding her hair back with a scarf. Do you have literally any clue what a mammy looks like?Literally what makes her a mammy? The fact that she’s wearing clothes that cover her up and has an apron swung around her back? So if she wears too few clothes she sexualized but if she wears too many clothes she’s a mammy? What the hell do you want? I swear y’all clutch your pearls more than old Baptist grandmothers at the slightest hint to the existence of boobs or butts or anything even the tiniest bit revealing of skin on any part of the body.And yeah it’s a good thing white girls in Pokémon never get their skin revealed everGet off Tumblr and find an actual problem.
Clothes, Fucking, and Gif: Bend
thathighclassbitch:
asprodente:


darkvioletcloud:

trilllizard666:

ilyvbs:

popipo12345:

ilyvbs:
nessa but she isn’t hypersexualized and her back makes sense 
“Nintendo always gives their black female characters revealing outfits!!!!”
Lenora, Pokemon Black and White
Iris, Pokemon Black and White
Twintelle, ARMS

if anyone’s got any other examples, feel free to add on.

HOW IS NOT OVERSEXUALIZED 
also lenora looks like a mammy iris is the only fucking one with an okay design
how about you listen to black people when they try to tell you shit huh

“Lenora looks like a mammy”
….please learn what a mammy looks like before more stupid spills out of your mouth, thanks

LENORA IS AN ARCHAEOLOGIST YOU STUPID FUCKING IDIOTS
THAT APRON? KEEPS THE DUST OFF OF HER BLOUSE WHEN SHE’S UNCOVERING SHIT
PLAY THE FUCKING GAME AND YOU’D REALIZE IT

And excuse me, OP? How is this hypersexualized? It’s not even sexualized, it’s just a fucking two-piece swim suit. It’s less revealing than a bikini. Fuck off.


Tumblr: girls should be able to wear whatever they want!!!!
Female character: shows any skin
Tumblr:


“Lenora looks like a mammy” what the fucking fuck? She’s just wearing a blouse and wide leg pants and holding her hair back with a scarf. Do you have literally any clue what a mammy looks like?Literally what makes her a mammy? The fact that she’s wearing clothes that cover her up and has an apron swung around her back? So if she wears too few clothes she sexualized but if she wears too many clothes she’s a mammy? What the hell do you want? I swear y’all clutch your pearls more than old Baptist grandmothers at the slightest hint to the existence of boobs or butts or anything even the tiniest bit revealing of skin on any part of the body.And yeah it’s a good thing white girls in Pokémon never get their skin revealed everGet off Tumblr and find an actual problem.

thathighclassbitch: asprodente: darkvioletcloud: trilllizard666: ilyvbs: popipo12345: ilyvbs: nessa but she isn’t hypersexualized and ...