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Ass, Cinderella , and Click: kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice. The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific.  I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture. This scene in particular illustrates it especially well; particularly for being only like 1 minute long. Highlights/Breakdown The timing in the way Robin says savior and the way he says beast.  the character solidifying disregard and disrespect of “Please! Monster!” Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat Just the entire french accent that isn’t even a good french accent at all. The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background  Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss” shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit.  “what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures.  When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke Fiona interrupting robin with a kick. the fuckin sound his head makes when it hits the rock.  The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef* Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.
Ass, Cinderella , and Click: kaylapocalypse:
 ok 
so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice.
The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific. 
I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture.
This scene in particular illustrates it especially well; particularly for being only like 1 minute long.
Highlights/Breakdown
The timing in the way Robin says savior and the way he says beast. 
the character solidifying disregard and disrespect of “Please! Monster!”
Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat
Just the entire french accent that isn’t even a good french accent at all.
The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background 
Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss”
shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit. 
“what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures. 
When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke
Fiona interrupting robin with a kick.
the fuckin sound his head makes when it hits the rock. 
The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef*
Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.

kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you shou...

Click, Target, and Tumblr: arabgaara: dog brothers doodles while i watch inuyashaclick for quality
Click, Target, and Tumblr: arabgaara:

dog brothers doodles while i watch inuyashaclick for quality

arabgaara: dog brothers doodles while i watch inuyashaclick for quality

Christmas, Love, and Ugly: Vodafone.de 36 %| 09:03 Summary How we work ("bullshit-free" version); We write all new code in Swift but we also carry the baggage of legacy Objective-C code. Ugly 10-year-old Objective-C code. You know what we mean. But we're committed to getting rid of it We reach 400,000 people every day. We support 13 languages. We have more than 2 million vehicles in our database We really care about quality. We have a lot of tests and keep a close eye on our crash logs. . We aim to be data-driven. We A/B test all user-facing features.We're focused on user experience and work closely with UX designers. . We automate ALL THE THINGS. We own our Cl. We use TeamCity, Fastlane, Danger, and all the rest. We love trying new things. Architectural patterns, services, tools, you name it. Promises and Apollo (GraphQL) work great for us. Heck, we even tried Readt Native. Not that great. What We Need From You Passion for development and a strong sense of ownership * Be not afraid to explore or touch things, even in ugly old legacy code Be agile . Think beyond Swift and Objective-C. There will also be some Ruby, shell scripts, and even the occasional Scala Speak English (German is a plus, Bavarian even more, but that's more important for Oktoberfest) *Willing to give and accept help from your colleagues (a.k.a. "collaborative culture") Be smart and don't overengineer every piece of code you push (some overengineering between Christmas and New Year's Eve is fine) The writer knows what’s up
Christmas, Love, and Ugly: Vodafone.de
 36 %|
 09:03
 Summary
 How we work ("bullshit-free" version);
 We write all new code in Swift but we also carry the
 baggage of legacy Objective-C code. Ugly 10-year-old
 Objective-C code. You know what we mean. But we're
 committed to getting rid of it
 We reach 400,000 people every day. We support 13
 languages. We have more than 2 million vehicles in our
 database
 We really care about quality. We have a lot of tests and
 keep a close eye on our crash logs.
 . We aim to be data-driven. We A/B test all user-facing
 features.We're focused on user experience and work
 closely with UX designers.
 . We automate ALL THE THINGS. We own our Cl. We use
 TeamCity, Fastlane, Danger, and all the rest.
 We love trying new things. Architectural patterns,
 services, tools, you name it. Promises and Apollo
 (GraphQL) work great for us. Heck, we even tried Readt
 Native. Not that great.
 What We Need From You
 Passion for development and a strong sense of
 ownership
 * Be not afraid to explore or touch things, even in ugly old
 legacy code
 Be agile
 . Think beyond Swift and Objective-C. There will also be
 some Ruby, shell scripts, and even the occasional Scala
 Speak English (German is a plus, Bavarian even more,
 but that's more important for Oktoberfest)
 *Willing to give and accept help from your colleagues
 (a.k.a. "collaborative culture")
 Be smart and don't overengineer every piece of code
 you push (some overengineering between Christmas and
 New Year's Eve is fine)
The writer knows what’s up

The writer knows what’s up