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    sho: can p
 2.25, Indexes 1-9 (in case
 Fava his Own
 they aver do that was worth
 remembering? I mean,
 Doctor Doom is okay, but,
 ke, he's no Spinerette, eh?)
 3000.00
 1-3, 18.00, 4-6, 19.00 (does
 anybody really care? I mean
 these are just warmed over
 Kull stories, nght? Or is it
 Kull who's warmed over
 Conan? I can never
 remember.) 100-103, 10.00,
 104-106, 11.00, 107-109,
 12.00, 110-125, 13.00
 100-103, 10.00, 104-106,
 11.00, 107-109, 12.00,
 110-125 13 00 100-103
 realy Sne
 pleats nightin
 there the
 book
 That's what Fm askin' you
 ELEKTRA ASSASSIN
 1-4, lots and lots of money
 ELFQUEST
 you haven't memorized
 everything yet), 1.25, set 1-9,
 10.00, Chronicles (1982)
 1.50
 AVENGERS
 1, forget it! Even if I had one I
 wouldn't sell it to you. 2. Are
 you kidding? After the lame
 offers you made for the old
 Spider-Man stuff? 3, no way,
 Jose. 4, And you can forget
 this one altogether! (Captain
 Amenica) 5. m goin' straight
 to the recent stuff again. 140, WHAT...2 HOW...5
 150, 2.50, 151, 153, 154,
 8.00 (no reason) 200-202, 6,
 manbe 7 upks a piece. 203,
 Man 100-1
 104-106
 1-present, 1,00.00-se9, the ORDERING INSTRUCTIONS: This sd expirem
 12.00 110
 (1) All orders must be mailed in, temized
 Derek and/or Kate Smth in the nude We w
 ont have to This is cur ad so we play by ur e
 wolves died, and Richard
 and Wendy got evicted and
 we need to raise money for
 (2) Minimum mail order s $1000 00 Why sho
 them. In fact, don't even buy the sport or something? You thirk we lke comic
 the comics, just call
 paying for them, we're out ot here
 1-800-ELF-HELP and plecge (3) You must have a street address as wete
 iocal comic acednact Youm
 DON'T ASK
 QUESTIONS!
 WE'RE HEAVILY
 INTO THE ZEN
 SH-SHE-HULK!
 IT ONLY
 WORKS IFPOD o
 YOU DON'T a FOLLOW ME, anG
 NOW
 sAndm
 CON WHERE
 CHA S THIS
 1-6
 this ge
 Comprend
 RYSTA
 ! A ha! Hal Ha! Ha! Ha!
 !Ha! Ha! Ha! Ha! Ha!
 to kno ALL OF
 THINK
 ABOUT IT!Foreign ak Ou
 that Canadiaihro
 PLACE 2/You wa F COMIC
 BOOKS
 A Your non
 y and youd ge
 at the Mint get a Spi
 99211 213, 215,
 oing to stop
 HERE for every last
 FTCKen I'm gonna start
 jacking up the prices on
 every book that has the High
 Evolutionary in it! In fact, I'm
 gonna jack up the prices on
 books that even use the
 "evolution!" 100-103, 1
 104-106, 11.00, 107-
 that stuff? Somebo
 pay for it!
 10.00, 104-10 11.00
 110-125
 10.00
 07-109.
 3.00
 104-106,
 S.12.00,
 $00 100-103.
 107
 Ha! Ha! Ha! Ha! Ha!
 Ha! Ha! Ha! Ha! Ha!
 a! Ha! Ha! Ha! Ha
 al Ha! Ha! Ha! Ha!
 You Want this?
 ewhole set, 18.00
 15
 12.00, 110-125, 13
 Y0-125
 T09
 3.00 100-103-10.00.
 04-106, 11.00, 107-109
 00, 110-125, 13.00
 03, 10.00, 104-106
 107-109, 12.00,
 5, 13.00 100-103,
 104-106, 11.00,
 109, 12.00, 110-125
 .00 100-103, 10.00
 04-106, 11.00: 107-109
 00, 110-125, 13.00 (
 100-103, 10.00, 10
 11.00, 107-109, 17
 110-125, 13.00
 10.00, 104-106
 107-109, 12.00
 EVIL
 re they still printing
 e? I thought they
 celled it after Miller left. I
 Ner cared for it much
 nyway. Expect for the
 hiddle period.. You know?
 When he was fighting, like,
 aliens and stuff? Now that
 was comics! 100-103, 10.00,
 125.
 00
 07-109,
 T125, 13.00
 03, 10.00, 104-106.
 1.00, 107-109, 12.00,
 110-125, 13.0O 100-103.
 13.001
 104
 TU125, 13.00 (yeah, I know
 the price is supposed to go
 24
Don’t think about it.
    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                sho: can p
 2.25, Indexes 1-9 (in case
 Fava his Own
 they aver do that was worth
 remembering? I mean,
 Doctor Doom is okay, but,
 ke, he's no Spinerette, eh?)
 3000.00
 1-3, 18.00, 4-6, 19.00 (does
 anybody really care? I mean
 these are just warmed over
 Kull stories, nght? Or is it
 Kull who's warmed over
 Conan? I can never
 remember.) 100-103, 10.00,
 104-106, 11.00, 107-109,
 12.00, 110-125, 13.00
 100-103, 10.00, 104-106,
 11.00, 107-109, 12.00,
 110-125 13 00 100-103
 realy Sne
 pleats nightin
 there the
 book
 That's what Fm askin' you
 ELEKTRA ASSASSIN
 1-4, lots and lots of money
 ELFQUEST
 you haven't memorized
 everything yet), 1.25, set 1-9,
 10.00, Chronicles (1982)
 1.50
 AVENGERS
 1, forget it! Even if I had one I
 wouldn't sell it to you. 2. Are
 you kidding? After the lame
 offers you made for the old
 Spider-Man stuff? 3, no way,
 Jose. 4, And you can forget
 this one altogether! (Captain
 Amenica) 5. m goin' straight
 to the recent stuff again. 140, WHAT...2 HOW...5
 150, 2.50, 151, 153, 154,
 8.00 (no reason) 200-202, 6,
 manbe 7 upks a piece. 203,
 Man 100-1
 104-106
 1-present, 1,00.00-se9, the ORDERING INSTRUCTIONS: This sd expirem
 12.00 110
 (1) All orders must be mailed in, temized
 Derek and/or Kate Smth in the nude We w
 ont have to This is cur ad so we play by ur e
 wolves died, and Richard
 and Wendy got evicted and
 we need to raise money for
 (2) Minimum mail order s $1000 00 Why sho
 them. In fact, don't even buy the sport or something? You thirk we lke comic
 the comics, just call
 paying for them, we're out ot here
 1-800-ELF-HELP and plecge (3) You must have a street address as wete
 iocal comic acednact Youm
 DON'T ASK
 QUESTIONS!
 WE'RE HEAVILY
 INTO THE ZEN
 SH-SHE-HULK!
 IT ONLY
 WORKS IFPOD o
 YOU DON'T a FOLLOW ME, anG
 NOW
 sAndm
 CON WHERE
 CHA S THIS
 1-6
 this ge
 Comprend
 RYSTA
 ! A ha! Hal Ha! Ha! Ha!
 !Ha! Ha! Ha! Ha! Ha!
 to kno ALL OF
 THINK
 ABOUT IT!Foreign ak Ou
 that Canadiaihro
 PLACE 2/You wa F COMIC
 BOOKS
 A Your non
 y and youd ge
 at the Mint get a Spi
 99211 213, 215,
 oing to stop
 HERE for every last
 FTCKen I'm gonna start
 jacking up the prices on
 every book that has the High
 Evolutionary in it! In fact, I'm
 gonna jack up the prices on
 books that even use the
 "evolution!" 100-103, 1
 104-106, 11.00, 107-
 that stuff? Somebo
 pay for it!
 10.00, 104-10 11.00
 110-125
 10.00
 07-109.
 3.00
 104-106,
 S.12.00,
 $00 100-103.
 107
 Ha! Ha! Ha! Ha! Ha!
 Ha! Ha! Ha! Ha! Ha!
 a! Ha! Ha! Ha! Ha
 al Ha! Ha! Ha! Ha!
 You Want this?
 ewhole set, 18.00
 15
 12.00, 110-125, 13
 Y0-125
 T09
 3.00 100-103-10.00.
 04-106, 11.00, 107-109
 00, 110-125, 13.00
 03, 10.00, 104-106
 107-109, 12.00,
 5, 13.00 100-103,
 104-106, 11.00,
 109, 12.00, 110-125
 .00 100-103, 10.00
 04-106, 11.00: 107-109
 00, 110-125, 13.00 (
 100-103, 10.00, 10
 11.00, 107-109, 17
 110-125, 13.00
 10.00, 104-106
 107-109, 12.00
 EVIL
 re they still printing
 e? I thought they
 celled it after Miller left. I
 Ner cared for it much
 nyway. Expect for the
 hiddle period.. You know?
 When he was fighting, like,
 aliens and stuff? Now that
 was comics! 100-103, 10.00,
 125.
 00
 07-109,
 T125, 13.00
 03, 10.00, 104-106.
 1.00, 107-109, 12.00,
 110-125, 13.0O 100-103.
 13.001
 104
 TU125, 13.00 (yeah, I know
 the price is supposed to go
 24
Don’t think about it.
                
            

            
            
Don’t think about it.

            
            
        

    



        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            







    sho: INTERNATIONAL
 INTERNATIONAL
 SAN DIEGO
 AN DIE
 ECON CONCON CON
 INTERNA
 INTER
 INTERNATIONAL
 1N DIEG0
 OIEGO
 SAN DIEGO
 CON
 OUG NO
 CON
 DIEGO
 CON
 INTERNATIONAL
 ONAL
 INTERNATIONAL
 IN E WATIONAL
 TERNATIONA
 SAN DIEGO
 CON
 SAN OIEG0
 0 93
 eONCON CO
 SAN OIEG
 N OIEG
 CO
 INTERNATIO
 COMICE
 CO
 OM
feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                sho: INTERNATIONAL
 INTERNATIONAL
 SAN DIEGO
 AN DIE
 ECON CONCON CON
 INTERNA
 INTER
 INTERNATIONAL
 1N DIEG0
 OIEGO
 SAN DIEGO
 CON
 OUG NO
 CON
 DIEGO
 CON
 INTERNATIONAL
 ONAL
 INTERNATIONAL
 IN E WATIONAL
 TERNATIONA
 SAN DIEGO
 CON
 SAN OIEG0
 0 93
 eONCON CO
 SAN OIEG
 N OIEG
 CO
 INTERNATIO
 COMICE
 CO
 OM
feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

                
            

            
            
feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose...

            
            
        

    



        

        
        

            






        

        
        

            







    sho: INTERNATIONAL
 INTERNATIONAL
 SAN DIEGO
 AN DIE
 ECON CONCON CON
 INTERNA
 INTER
 INTERNATIONAL
 1N DIEG0
 OIEGO
 SAN DIEGO
 CON
 OUG NO
 CON
 DIEGO
 CON
 INTERNATIONAL
 ONAL
 INTERNATIONAL
 IN E WATIONAL
 TERNATIONA
 SAN DIEGO
 CON
 SAN OIEG0
 0 93
 eONCON CO
 SAN OIEG
 N OIEG
 CO
 INTERNATIO
 COMICE
 CO
 OM
ebonyheartnet:
jewishdragon:

feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 


Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews! 



    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                sho: INTERNATIONAL
 INTERNATIONAL
 SAN DIEGO
 AN DIE
 ECON CONCON CON
 INTERNA
 INTER
 INTERNATIONAL
 1N DIEG0
 OIEGO
 SAN DIEGO
 CON
 OUG NO
 CON
 DIEGO
 CON
 INTERNATIONAL
 ONAL
 INTERNATIONAL
 IN E WATIONAL
 TERNATIONA
 SAN DIEGO
 CON
 SAN OIEG0
 0 93
 eONCON CO
 SAN OIEG
 N OIEG
 CO
 INTERNATIO
 COMICE
 CO
 OM
ebonyheartnet:
jewishdragon:

feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 


Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews! 



                
            

            
            
ebonyheartnet:
jewishdragon:

feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was...

            
            
        

    



        

        
        

            







    sho: INTERNATIONAL
 INTERNATIONAL
 SAN DIEGO
 AN DIE
 ECON CONCON CON
 INTERNA
 INTER
 INTERNATIONAL
 1N DIEG0
 OIEGO
 SAN DIEGO
 CON
 OUG NO
 CON
 DIEGO
 CON
 INTERNATIONAL
 ONAL
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feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
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feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

                
            

            
            
feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose n...