The Following


                    
                    
                

                

                

            

        
    







            

            
            

                

                    
                

                

                    

                        


	

	
    

        đŸ”„ | Latest
    

    
    

        

        
        

            







    The Following: e-e-e-s:
dudeinpyjamas:


anadiableau:
Okay but honestly fucking shit like this when they show Zuko’s scar side when talking about Sozin and then having the bar pass and have his non-scar side when Iroh says Roku is his great grandfather if EXACTLY the kind of shit that elevates this show to where really no other show has ever come and probably never will
I mean if you frame it in a photo it looks much better, in reality it was a moving shot. Still nice but not amazing. What really is an amzing shot is this
Who is realy imprisioned here? The way this shot is framed makes it clear that Zuko is in a prison of his own mind. In fact you can look at how Zuko and Iroh are generally framed in this scene
Zuko:
and Iroh:
Even in shots where Iroh is framed together with the iron bars he is far removed from them while Zuko is right in front:

What takes the cake though is the following shot sequence:
When it shows Iroh it zooms in from this:
To this:
While with Zuko it’s the exact reverse. It zooms out from this:
To this:
Say what you want but man Avatar had some amazing shot composition. 

Also the reason The Last Airbender was better than Korra is because atla had Zuko and Iroh, while Korra didn’t. Fight me.



In addition to this scene being very well done, the whole The Avatar and the Firelord episode is just genius.  It just makes the parallels between Zuko and Aang so much more powerful in retrospect.  They weren’t on parallel paths just because.  They were on parallel paths because they’re two parts of one lineage: Roku’s Fire Nation lineage and his spiritual-mediator Avatar lineage.  And throughout the series the two of them are paired up through visual language, and the show even goes as far as match-cuts between the two of them as they’re in different locations and different fights.  I forget where, but I KNOW there’s a shot where Aang is dodging in a fight and basically running towards the viewer and it cuts straight to Zuko doing the exact same thing, like they’re two enactments of one story.  
And the twin blades?  Zuko himself says they’re two halves of a single weapon, and shouldn’t be thought of as separate.  The twin blades which we really first see in The Blue Spirit storyline, in which Aang asks Zuko if they COULD HAVE BEEN FRIENDS.  It’s been stated that the blades represent the good and evil parts of Zuko, but isn’t that just a direct result of him grappling with his lineage, which is directly tied to Aang?
In conclusion: I am not ok and will never be ok.  Thanks Avatar.

    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                The Following: e-e-e-s:
dudeinpyjamas:


anadiableau:
Okay but honestly fucking shit like this when they show Zuko’s scar side when talking about Sozin and then having the bar pass and have his non-scar side when Iroh says Roku is his great grandfather if EXACTLY the kind of shit that elevates this show to where really no other show has ever come and probably never will
I mean if you frame it in a photo it looks much better, in reality it was a moving shot. Still nice but not amazing. What really is an amzing shot is this
Who is realy imprisioned here? The way this shot is framed makes it clear that Zuko is in a prison of his own mind. In fact you can look at how Zuko and Iroh are generally framed in this scene
Zuko:
and Iroh:
Even in shots where Iroh is framed together with the iron bars he is far removed from them while Zuko is right in front:

What takes the cake though is the following shot sequence:
When it shows Iroh it zooms in from this:
To this:
While with Zuko it’s the exact reverse. It zooms out from this:
To this:
Say what you want but man Avatar had some amazing shot composition. 

Also the reason The Last Airbender was better than Korra is because atla had Zuko and Iroh, while Korra didn’t. Fight me.



In addition to this scene being very well done, the whole The Avatar and the Firelord episode is just genius.  It just makes the parallels between Zuko and Aang so much more powerful in retrospect.  They weren’t on parallel paths just because.  They were on parallel paths because they’re two parts of one lineage: Roku’s Fire Nation lineage and his spiritual-mediator Avatar lineage.  And throughout the series the two of them are paired up through visual language, and the show even goes as far as match-cuts between the two of them as they’re in different locations and different fights.  I forget where, but I KNOW there’s a shot where Aang is dodging in a fight and basically running towards the viewer and it cuts straight to Zuko doing the exact same thing, like they’re two enactments of one story.  
And the twin blades?  Zuko himself says they’re two halves of a single weapon, and shouldn’t be thought of as separate.  The twin blades which we really first see in The Blue Spirit storyline, in which Aang asks Zuko if they COULD HAVE BEEN FRIENDS.  It’s been stated that the blades represent the good and evil parts of Zuko, but isn’t that just a direct result of him grappling with his lineage, which is directly tied to Aang?
In conclusion: I am not ok and will never be ok.  Thanks Avatar.

                
            

            
            
e-e-e-s:
dudeinpyjamas:


anadiableau:
Okay but honestly fucking shit like this when they show Zuko’s scar side when talking about Sozin...

            
            
        

    



        

        
        

            






        

        
        

            






        

        
        

            







    The Following: Grandparents will have at least one of the following
    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                The Following: Grandparents will have at least one of the following
                
            

            
            
Grandparents will have at least one of the following

            
            
        

    



        

        
        

            







    The Following: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                The Following: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

                
            

            
            
cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the g...

            
            
        

    



        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            







    The Following: ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this

    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                The Following: ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this

                
            

            
            
ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
Th...

            
            
        

    



        

        
        

            







    The Following: trans-mom:
Claim: “Trans” is short for “transition.”
The Truth: “Trans” is short for “transgender.” It is just a descriptor of a person’s gender.
Claim: You must experience dysphoria in order to be trans.
The Truth: Incorrect. Dysphoria is an old, outdated term that’s been redefined over time to cover new specific needs. Despite its constant redefining, it’s still not an all encompassing descriptor for all trans people.
Claim: You must pursue hrt and surgery to be trans.
The Truth: Incorrect. There are a variety of reasons why someone wouldn’t want to have hrt or surgery, all of them valid.
Claim: If you’re trans, you’d show very specific signs as a child. / All trans people knew they were trans since a young age.
The Truth: A lot of trans people do not possess obvious signs of their transhood as children. Lots of people discover themselves later in life. Your age does not dictate your transhood. 
Claim: Transition is solely defined by hrt or surgery.
The Truth: Transition begins from the moment you feel you’re trans and need to alter things in your life. Transition isn’t only medical. It’s also social, but most of all it’s personal. Something like making a plan to come out in the future is part of your transition.
Claim: You have to come out to everyone.
The Truth: That’s personal information you owe no one. 
Claim: Most trans people detransition.
The Truth: Detransitioning is rare. And in most cases it’s because of financial and safety (read: bigoted harm) reasons. The claim that most trans people detransition is based on an old study where the kids were exposed to anti-lgbt rhetoric and when people didn’t return his calls he marked them as “detransitioned.” The amount of people who detransition cuz they “weren’t trans” is extremely rare.
Claim: Being on hrt will make you more depressed.
The Truth: Incorrect. Statistics show that the majority of trans people’s lives improve with hrt. What actually would cause depression is the constant harassment and harm from bigots, often times from the same people who told you hrt will make you depressed. Hrt itself is documented to improve the quality of life.
Claim: You don’t need hrt. There are pills on the market made from natural means that will give you the same result without a prescription.
The Truth: This is not only false, but it’s a money making scheme meant to exploit your lack of easy access to hrt. These pills will not work, they will actually have the opposite effect, and they cost the same as obtaining hrt without a prescription on average.
Claim: You absolutely must have a prescription for hrt. It’s illegal to get it without and you’ll die if you don’t have proper understanding.
The Truth: Morality isn’t dictated by legality. And, though some dangers exist with self medicating with no knowledge, as someone that did self medicated hrt it’s not impossible for you to get educated. Testosterone poses more legal risks and you need to be sure what you’re getting is the real deal with T, but the need to do things this way is a sign the system is broken - not that there’s something wrong with the people doing it.
For information about feminizing hormones, go here.
For information about masculinizing hormones, go here.
Claim: You can get hrt through Planned Parenthood.
The Truth: Accurate! Planned Parenthood does offer hrt on an informed consent basis in some places. This is not true to everywhere so maybe call them or check their own web site about it before just dropping in. Smallangryandtired did an excellent write up on how to do the process here. 
However, as I said, they do not offer it in all locations. The main path a lot of people take is going to a therapist for a session or two and getting a letter from said therapist approving you for hrt and taking that to a doctor (who in turn usually recommends you to a specialist).
Claim: After a certain age, there’s no point to do hrt. It won’t have the same effect.
The Truth: That is a lie. Hrt will work no matter your age.
Claim: You can be too young for hrt and puberty blockers are dangerous.
The Truth: That is also a lie. Lots of people have known they’re trans since they were kids and refusing them treatment is child abuse. If a doctor deems a kid too young for hrt, the alternative is puberty blockers because they are not harmful to the child at all. Despite what anti-lgbt groups want you to believe, there is no danger to puberty blockers.
Claim: There are only two genders. / Nonbinary people don’t exist. / Biological sex dictates gender.
The Truth: The biological sex you know is only truly representative of gender stereotypes. The truth is that, biologically speaking, there are more than two sexes and the only true way to identify such is through karyotypes. Third genders and nonbinary genders have existed through out history, it is not new. The greatest minds in science have time and time again repeated this information, that sex isn’t a binary, that nonbinary people exist, that trans women are really women, trans men are men, and that nonbinary people are nonbinary. Even Bill Nye has said this.
Claim: Things like “stargender” or “noungender” are ruining the representation of the trans community. / “Noungender” is just children trying to get attention and are not actually trans. / People using neopronouns or nounself pronouns are not really trans.
The Truth: This in inaccurate and often times either a bullying tactic towards those who are different, or transphobic people using such to isolate a group of trans people. Some people do not fit into the binary or gender nor feel like they’re in any defined nonbinary genders. So they’ll define themselves with words and terms they enjoy. It’s no different from you feeling more comfort from being called “he” versus “she.” 
And, in the off chance it is someone just seeking attention. It doesn’t matter. Let them have their fun. They’re not ruining anything calling themselves spacegender on tumblr dot com.
Claim: There are people faking being trans to fit into a crowd. / The entire concept of “transtrenders.”
The Truth: Not true. This is just age old blatant “you’re faking” transphobia. 
Claim: Trans people on hrt or post-op can not experience sexual enjoyment.
The Truth: Both will change your body’s entire response to sex. Your enjoyment doesn’t disappear, the entire process just changes to something different. This inaccuracy is spread by transphobes on average and isn’t remotely true.
Claim: Trans people have a high rate of suicide.
The Truth: I’m sorry to say that trans people are under the stress of discrimination from all angles, and on top of other stresses or discriminations one may experience, it leads us into suicidal ideation. But, that’s why we need to stick together and help each other out. If you’re trans and considering suicide, consider the following:
National Suicide Prevention Hotline:  1-800-273-8255
Trans Lifeline USA:  1-877-565-8860
Trans Lifeline Canada: 1-877-330-6366
The Trevor Project Hotline:  1-866-488-7386
The Trevor Project also offers texting and chat
You deserve to live your life. I promise you you’re strong enough to get through this.

    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                The Following: trans-mom:
Claim: “Trans” is short for “transition.”
The Truth: “Trans” is short for “transgender.” It is just a descriptor of a person’s gender.
Claim: You must experience dysphoria in order to be trans.
The Truth: Incorrect. Dysphoria is an old, outdated term that’s been redefined over time to cover new specific needs. Despite its constant redefining, it’s still not an all encompassing descriptor for all trans people.
Claim: You must pursue hrt and surgery to be trans.
The Truth: Incorrect. There are a variety of reasons why someone wouldn’t want to have hrt or surgery, all of them valid.
Claim: If you’re trans, you’d show very specific signs as a child. / All trans people knew they were trans since a young age.
The Truth: A lot of trans people do not possess obvious signs of their transhood as children. Lots of people discover themselves later in life. Your age does not dictate your transhood. 
Claim: Transition is solely defined by hrt or surgery.
The Truth: Transition begins from the moment you feel you’re trans and need to alter things in your life. Transition isn’t only medical. It’s also social, but most of all it’s personal. Something like making a plan to come out in the future is part of your transition.
Claim: You have to come out to everyone.
The Truth: That’s personal information you owe no one. 
Claim: Most trans people detransition.
The Truth: Detransitioning is rare. And in most cases it’s because of financial and safety (read: bigoted harm) reasons. The claim that most trans people detransition is based on an old study where the kids were exposed to anti-lgbt rhetoric and when people didn’t return his calls he marked them as “detransitioned.” The amount of people who detransition cuz they “weren’t trans” is extremely rare.
Claim: Being on hrt will make you more depressed.
The Truth: Incorrect. Statistics show that the majority of trans people’s lives improve with hrt. What actually would cause depression is the constant harassment and harm from bigots, often times from the same people who told you hrt will make you depressed. Hrt itself is documented to improve the quality of life.
Claim: You don’t need hrt. There are pills on the market made from natural means that will give you the same result without a prescription.
The Truth: This is not only false, but it’s a money making scheme meant to exploit your lack of easy access to hrt. These pills will not work, they will actually have the opposite effect, and they cost the same as obtaining hrt without a prescription on average.
Claim: You absolutely must have a prescription for hrt. It’s illegal to get it without and you’ll die if you don’t have proper understanding.
The Truth: Morality isn’t dictated by legality. And, though some dangers exist with self medicating with no knowledge, as someone that did self medicated hrt it’s not impossible for you to get educated. Testosterone poses more legal risks and you need to be sure what you’re getting is the real deal with T, but the need to do things this way is a sign the system is broken - not that there’s something wrong with the people doing it.
For information about feminizing hormones, go here.
For information about masculinizing hormones, go here.
Claim: You can get hrt through Planned Parenthood.
The Truth: Accurate! Planned Parenthood does offer hrt on an informed consent basis in some places. This is not true to everywhere so maybe call them or check their own web site about it before just dropping in. Smallangryandtired did an excellent write up on how to do the process here. 
However, as I said, they do not offer it in all locations. The main path a lot of people take is going to a therapist for a session or two and getting a letter from said therapist approving you for hrt and taking that to a doctor (who in turn usually recommends you to a specialist).
Claim: After a certain age, there’s no point to do hrt. It won’t have the same effect.
The Truth: That is a lie. Hrt will work no matter your age.
Claim: You can be too young for hrt and puberty blockers are dangerous.
The Truth: That is also a lie. Lots of people have known they’re trans since they were kids and refusing them treatment is child abuse. If a doctor deems a kid too young for hrt, the alternative is puberty blockers because they are not harmful to the child at all. Despite what anti-lgbt groups want you to believe, there is no danger to puberty blockers.
Claim: There are only two genders. / Nonbinary people don’t exist. / Biological sex dictates gender.
The Truth: The biological sex you know is only truly representative of gender stereotypes. The truth is that, biologically speaking, there are more than two sexes and the only true way to identify such is through karyotypes. Third genders and nonbinary genders have existed through out history, it is not new. The greatest minds in science have time and time again repeated this information, that sex isn’t a binary, that nonbinary people exist, that trans women are really women, trans men are men, and that nonbinary people are nonbinary. Even Bill Nye has said this.
Claim: Things like “stargender” or “noungender” are ruining the representation of the trans community. / “Noungender” is just children trying to get attention and are not actually trans. / People using neopronouns or nounself pronouns are not really trans.
The Truth: This in inaccurate and often times either a bullying tactic towards those who are different, or transphobic people using such to isolate a group of trans people. Some people do not fit into the binary or gender nor feel like they’re in any defined nonbinary genders. So they’ll define themselves with words and terms they enjoy. It’s no different from you feeling more comfort from being called “he” versus “she.” 
And, in the off chance it is someone just seeking attention. It doesn’t matter. Let them have their fun. They’re not ruining anything calling themselves spacegender on tumblr dot com.
Claim: There are people faking being trans to fit into a crowd. / The entire concept of “transtrenders.”
The Truth: Not true. This is just age old blatant “you’re faking” transphobia. 
Claim: Trans people on hrt or post-op can not experience sexual enjoyment.
The Truth: Both will change your body’s entire response to sex. Your enjoyment doesn’t disappear, the entire process just changes to something different. This inaccuracy is spread by transphobes on average and isn’t remotely true.
Claim: Trans people have a high rate of suicide.
The Truth: I’m sorry to say that trans people are under the stress of discrimination from all angles, and on top of other stresses or discriminations one may experience, it leads us into suicidal ideation. But, that’s why we need to stick together and help each other out. If you’re trans and considering suicide, consider the following:
National Suicide Prevention Hotline:  1-800-273-8255
Trans Lifeline USA:  1-877-565-8860
Trans Lifeline Canada: 1-877-330-6366
The Trevor Project Hotline:  1-866-488-7386
The Trevor Project also offers texting and chat
You deserve to live your life. I promise you you’re strong enough to get through this.

                
            

            
            
trans-mom:
Claim: “Trans” is short for “transition.”
The Truth: “Trans” is short for “transgender.” It is just a descriptor of a person’s...

            
            
        

    



        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            







    The Following: Here's a prime example of "Men Are
 From Mars, Women Are From Venus"
 offered by an English professor from
 the University of Phoenix:
 The professor told his class one day: Today we will ex-
 periment with a new form called the tandem story
 The process is simple. Each person will pair off with the
 person sitting to his or her immediate right. As home-
 work tonight, one of you will write the first paragraph
 of a short story. You will e-mail your partner that para-
 graph and send another copy to me. The partner will
 read the first paragraph and then add another para-
 graph to the story and send it back, also sending an-
 other copy to me. The first person will then add a third
 paragraph, and so on back-and-forth.
 Remember to re-read what has been written each time
 in order to keep the story coherent. There is to be ab-
 solutely NO talking outside of the e-mails and any-
 thing you wish to say must be written in the e-mail.
 The story is over when both agree a con-
 clusion has been reached."
 The following was actually turned in by two of his
 English students:
 Rebecca and Gary
 THE STORY:
 (first paragraph by Rebecca)
 At first, Laurie couldn't decide which kind of tea
 she wanted. The chamomile, which used to be her
 favorite for lazy evenings at home, now reminded
 her too much of Carl, who once said, in happier
 times, that he liked chamomile.
 But she felt she must now, at all costs, keep her
 mind off Carl. His possessiveness was suffocating,
 and if she thought about him too much her asthma
 started acting up again. So chamomile was out of
 the
 second paragraph by Gary)
 Meanwhile, Advance Sergeant Carl Harris, leader of
 the attack squadron now in orbit over Skylon 4,
 had more important things to think about than the
 neuroses of an air-headed asthmatic bimbo named
 Laurie with whom he had spent one sweaty night
 over a year ago. "A.S. Harris to Geostation 17," he
 said into his transgalactic communicator. " Polar
 orbit established. No sign of resistance so far..." But
 before he could sign off a bluish particle beam
 flashed out of nowhere and blasted a hole through
 his ship's cargo bay. The jolt from the direct hit sent
 him flying out of his seat and across the ####pit.
 (Rebecca)
 He bumped his head and died almost immediately,
 but not before he felt one last pang of regret for
 psychically brutalizing the one woman who had
 ever had feelings for him. Soon afterwards, Earth
 stopped its pointless hostilities towards the peace
 ful farmers of Skylon 4. "Congress Passes Law Per-
 manently Abolishing War and Space Travel," Laurie
 read in her newspaper one morning. The news si-
 multaneously excited her and bored her. She
 stared out the window, dreaming of her youth,
 when the days had passed unhurriedly and care-
 free, with no newspaper to read, no television to
 distract her from her sense of innocent wonder at
 all the beautiful things around
 her. "Why must one
 lose one's innocence to become a woman?" she
 pondered wistfully
 Gary)
 Little did she know, but she had less than 10 sec-
 onds to live. Thousands of miles above the city, the
 Anu'udrian mothership launched the first of its
 lithium fusion missiles. The dimwitted wimpy
 peaceniks who pushed the Unilateral Aerospace
 disarmament Treaty through the congress had left
 Earth a defenseless target for the hostile alien em-
 pires who were determined to destroy the human
 race. Within two hours after the passage of the
 treaty the Anu'udrian ships were on course for
 Earth, carrying enough firepower to pulverize the
 With no one to stop them, they swiftly initiated
 their diabolical plan. The lithium fusion missile en-
 tered the atmosphere unimpeded. The President,
 in his top-secret mobile submarine headquarters
 on the ocean floor off the coast of Guam, felt the
 inconceivably massive explosion, which vaporized
 poor, stupid Laurie.
 (Rebecca)
 This is absurd. I refuse to continue this mockery of
 literature. My writing partner is a violent, chauvin-
 istic semi-literate adolescent.
 Gary)
 Yeah? Well, my writing partner is a self-centered
 tedious neurotic whose attempts at writing are the
 literary equivalent of Valium. Oh, shall I have
 chamomile tea? Or shall I have some other sort of
 F-KING TEA??? Oh no, what am I to do? I'm such an
 air headed bimbo who reads too many Danielle
 Steele novels!"
 Gary)
 B*tch.
 (Rebecca)
 F K YOU-YOU NEANDERTHALI
 In your dreams, Ho. Go drink some tea.
 A+
 Ireally liked this one.
epicjohndoe:

A Very Good Example Of ‘Men Are From Mars, Women Are From Venus’
    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                The Following: Here's a prime example of "Men Are
 From Mars, Women Are From Venus"
 offered by an English professor from
 the University of Phoenix:
 The professor told his class one day: Today we will ex-
 periment with a new form called the tandem story
 The process is simple. Each person will pair off with the
 person sitting to his or her immediate right. As home-
 work tonight, one of you will write the first paragraph
 of a short story. You will e-mail your partner that para-
 graph and send another copy to me. The partner will
 read the first paragraph and then add another para-
 graph to the story and send it back, also sending an-
 other copy to me. The first person will then add a third
 paragraph, and so on back-and-forth.
 Remember to re-read what has been written each time
 in order to keep the story coherent. There is to be ab-
 solutely NO talking outside of the e-mails and any-
 thing you wish to say must be written in the e-mail.
 The story is over when both agree a con-
 clusion has been reached."
 The following was actually turned in by two of his
 English students:
 Rebecca and Gary
 THE STORY:
 (first paragraph by Rebecca)
 At first, Laurie couldn't decide which kind of tea
 she wanted. The chamomile, which used to be her
 favorite for lazy evenings at home, now reminded
 her too much of Carl, who once said, in happier
 times, that he liked chamomile.
 But she felt she must now, at all costs, keep her
 mind off Carl. His possessiveness was suffocating,
 and if she thought about him too much her asthma
 started acting up again. So chamomile was out of
 the
 second paragraph by Gary)
 Meanwhile, Advance Sergeant Carl Harris, leader of
 the attack squadron now in orbit over Skylon 4,
 had more important things to think about than the
 neuroses of an air-headed asthmatic bimbo named
 Laurie with whom he had spent one sweaty night
 over a year ago. "A.S. Harris to Geostation 17," he
 said into his transgalactic communicator. " Polar
 orbit established. No sign of resistance so far..." But
 before he could sign off a bluish particle beam
 flashed out of nowhere and blasted a hole through
 his ship's cargo bay. The jolt from the direct hit sent
 him flying out of his seat and across the ####pit.
 (Rebecca)
 He bumped his head and died almost immediately,
 but not before he felt one last pang of regret for
 psychically brutalizing the one woman who had
 ever had feelings for him. Soon afterwards, Earth
 stopped its pointless hostilities towards the peace
 ful farmers of Skylon 4. "Congress Passes Law Per-
 manently Abolishing War and Space Travel," Laurie
 read in her newspaper one morning. The news si-
 multaneously excited her and bored her. She
 stared out the window, dreaming of her youth,
 when the days had passed unhurriedly and care-
 free, with no newspaper to read, no television to
 distract her from her sense of innocent wonder at
 all the beautiful things around
 her. "Why must one
 lose one's innocence to become a woman?" she
 pondered wistfully
 Gary)
 Little did she know, but she had less than 10 sec-
 onds to live. Thousands of miles above the city, the
 Anu'udrian mothership launched the first of its
 lithium fusion missiles. The dimwitted wimpy
 peaceniks who pushed the Unilateral Aerospace
 disarmament Treaty through the congress had left
 Earth a defenseless target for the hostile alien em-
 pires who were determined to destroy the human
 race. Within two hours after the passage of the
 treaty the Anu'udrian ships were on course for
 Earth, carrying enough firepower to pulverize the
 With no one to stop them, they swiftly initiated
 their diabolical plan. The lithium fusion missile en-
 tered the atmosphere unimpeded. The President,
 in his top-secret mobile submarine headquarters
 on the ocean floor off the coast of Guam, felt the
 inconceivably massive explosion, which vaporized
 poor, stupid Laurie.
 (Rebecca)
 This is absurd. I refuse to continue this mockery of
 literature. My writing partner is a violent, chauvin-
 istic semi-literate adolescent.
 Gary)
 Yeah? Well, my writing partner is a self-centered
 tedious neurotic whose attempts at writing are the
 literary equivalent of Valium. Oh, shall I have
 chamomile tea? Or shall I have some other sort of
 F-KING TEA??? Oh no, what am I to do? I'm such an
 air headed bimbo who reads too many Danielle
 Steele novels!"
 Gary)
 B*tch.
 (Rebecca)
 F K YOU-YOU NEANDERTHALI
 In your dreams, Ho. Go drink some tea.
 A+
 Ireally liked this one.
epicjohndoe:

A Very Good Example Of ‘Men Are From Mars, Women Are From Venus’
                
            

            
            
epicjohndoe:

A Very Good Example Of ‘Men Are From Mars, Women Are From Venus’

            
            
        

    



        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            







    The Following: This work could have adult content. If you proceed you
 have agreed that you are willing to see such content.
 Proceed
 Go Back
secretstudentdragonblog:

rmh8402:

vi-maxwell-blog:

thebaconsandwichofregret:

justsparethoughts:


zandracourt:

shipping-isnt-morality:

Good morning! I’m salty.

I think we, as a general community, need to start taking this little moment more seriously.

This, right here? This is asking for consent. It’s a legal necessity, yes, but it is also you, the reader, actively consenting to see adult content; and in doing so, saying that you are of an age to see it, and that you’re emotionally capable of handling it.

You find the content you find behind this warning disgusting, horrifying, upsetting, triggering? You consented. You said you could handle it, and you were able to back out at any time. You take responsibility for yourself when you click through this, and so long as the creator used warnings and tags correctly, you bear full responsibility for its impact on you.

“Children are going to lie about their age” is probably true, but that’s the problem of them and the people who are responsible for them, not the people that they lie to.

If you’re not prepared to see adult content, created by and for adults, don’t fucking click through this. And if you do, for all that’s holy, don’t blame anyone else for it.


This needs to be reblogged today.


Consenting to see adult content doesn’t mean you should have to see a bunch of shit romanticizing incest and pedophilia you walnut


Except this is the last line of consent before the actual work. So if you’re at this button you have already done the following:
1) chosen to go onto AO3 in the first place
2) chosen the fandom you wish to read about
3) had the chance to filter for the things you do want to see like a specific pairing or a specific AU
4) had the chance to specifically filter out any tags you don’t want to see like, oh I don’t know, incest and non-con and dub-con and paedophilia
5) had the chance to set the rating level if you wish to remove any explicit content at all
6) have read the summary of the story, which aren’t always great but are the only indicator of what the story will be like writing wise so something about it was good enough for you to click on it.
7) have read the tags of the story which will tell you what is actually in the story. If you have used filters to remove stories with things you don’t want then there shouldn’t be anything in here that’s a shock to you but maybe there is. That’s why the tags are there for you to check for yourself.
8) Then you have to actually click on the story. You cannot see anything other than the summary or the tags without personally deciding that you are going to open and read this story. 
9) Only here, at step number nine, do you get to the adult content warning pictured above. You have been through eight different steps, the last six of which have also been opportunities for you to see that this has adult content. And AO3 has *STILL* stopped you to ask one last time “are you sure you want to read this because it has things that only adults should see in it”. 
If after this point you are reading incest and paedophilia then it’s probably because you specifically went looking for it.
You walnut. 

This is the most beautiful thing that I have seen about ao3


Always important!!!!!!

Cannot stress ‘you walnut’ enough

    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                The Following: This work could have adult content. If you proceed you
 have agreed that you are willing to see such content.
 Proceed
 Go Back
secretstudentdragonblog:

rmh8402:

vi-maxwell-blog:

thebaconsandwichofregret:

justsparethoughts:


zandracourt:

shipping-isnt-morality:

Good morning! I’m salty.

I think we, as a general community, need to start taking this little moment more seriously.

This, right here? This is asking for consent. It’s a legal necessity, yes, but it is also you, the reader, actively consenting to see adult content; and in doing so, saying that you are of an age to see it, and that you’re emotionally capable of handling it.

You find the content you find behind this warning disgusting, horrifying, upsetting, triggering? You consented. You said you could handle it, and you were able to back out at any time. You take responsibility for yourself when you click through this, and so long as the creator used warnings and tags correctly, you bear full responsibility for its impact on you.

“Children are going to lie about their age” is probably true, but that’s the problem of them and the people who are responsible for them, not the people that they lie to.

If you’re not prepared to see adult content, created by and for adults, don’t fucking click through this. And if you do, for all that’s holy, don’t blame anyone else for it.


This needs to be reblogged today.


Consenting to see adult content doesn’t mean you should have to see a bunch of shit romanticizing incest and pedophilia you walnut


Except this is the last line of consent before the actual work. So if you’re at this button you have already done the following:
1) chosen to go onto AO3 in the first place
2) chosen the fandom you wish to read about
3) had the chance to filter for the things you do want to see like a specific pairing or a specific AU
4) had the chance to specifically filter out any tags you don’t want to see like, oh I don’t know, incest and non-con and dub-con and paedophilia
5) had the chance to set the rating level if you wish to remove any explicit content at all
6) have read the summary of the story, which aren’t always great but are the only indicator of what the story will be like writing wise so something about it was good enough for you to click on it.
7) have read the tags of the story which will tell you what is actually in the story. If you have used filters to remove stories with things you don’t want then there shouldn’t be anything in here that’s a shock to you but maybe there is. That’s why the tags are there for you to check for yourself.
8) Then you have to actually click on the story. You cannot see anything other than the summary or the tags without personally deciding that you are going to open and read this story. 
9) Only here, at step number nine, do you get to the adult content warning pictured above. You have been through eight different steps, the last six of which have also been opportunities for you to see that this has adult content. And AO3 has *STILL* stopped you to ask one last time “are you sure you want to read this because it has things that only adults should see in it”. 
If after this point you are reading incest and paedophilia then it’s probably because you specifically went looking for it.
You walnut. 

This is the most beautiful thing that I have seen about ao3


Always important!!!!!!

Cannot stress ‘you walnut’ enough

                
            

            
            
secretstudentdragonblog:

rmh8402:

vi-maxwell-blog:

thebaconsandwichofregret:

justsparethoughts:


zandracourt:

shipping-isnt-moralit...

            
            
        

    



        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            







    The Following: LaShyra "Lash" Nolen
 @LashNolen
 Today we learned about Lyme disease
 and it's classic symptom: a bullseye rash
 (erythema migrans) formed around the
 area of a tick bite.
 A classmate of mine asked, "How is this
 diagnosed for those with darker skin?"
 Our professor struggled to give him a
 clear answer. 1/5
 11:50 AM Oct 8, 2019 Twitter for iPho ne
 2.1K Likes
 845 Retweets

 LaShyra "Lash" Nolen @LashNolen 13h
 Replying to @LashNolen
 After class I decided to google what we learned to
 see what images came up. I wasn't surprised by
 what I found: a homogenous representation of the
 bullseye rash on white skin.
 .
 It's no wonder our professor didn't have a good
 answer to answer my classmate's question. 2/5
 bullseye rash lyme
 X
 IMÁGENES
 TODOS
 SHOPPING
 NOTICIAS
 MĂĄs recientes
 Producto
 HD
 GIF
 it
 tick bites
 erythema migrans
 deer tick
 t1 37
 1
 323
 LaShyra "Lash" Nolen @LashNolen 13h
 I'm learning more and more that medicine is
 taught in a way that is often times exclusionary and
 the treatment and manifestation of disease in
 those with melinated skin is treated as an
 afterthought, a "special case" of illness that
 students must do extra work to understand. 3/5
 ti 140
 2
 785
 LaShyra "Lash" Nolen @LashNolen 13h
 This left me with the following thoughts:
 1. If stage 1 Lyme disease is taught to be
 recognized as a rash on white skin, how are we
 supposed to diagnose Lyme disease in our darker
 skinned patients? Does this mean Lyme disease
 will progress to later stages in these patients? 4/5
 t 81
 608
 LaShyra "Lash" Nolen @LashN olen 13h
 2. How does this later detection contritubute to
 the disparities we see in healthcare and what can
 we do in #med Ed to reduce these disparities and
 ensure students have the tools necessary to treat
 and diagnosis patients of all skin types equitably?
 5/5

unfriendly-black-hijabi:

wahtdahel:

Most of the medical research was done on white males and their response to medicine. This is why medical books should only serve as a framework but clinical expertise matters more.
And this is why we need more black doctors.




Black people are more likely to die from skin cancer for the same reason. It’s just diagnosed later. 

    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                The Following: LaShyra "Lash" Nolen
 @LashNolen
 Today we learned about Lyme disease
 and it's classic symptom: a bullseye rash
 (erythema migrans) formed around the
 area of a tick bite.
 A classmate of mine asked, "How is this
 diagnosed for those with darker skin?"
 Our professor struggled to give him a
 clear answer. 1/5
 11:50 AM Oct 8, 2019 Twitter for iPho ne
 2.1K Likes
 845 Retweets

 LaShyra "Lash" Nolen @LashNolen 13h
 Replying to @LashNolen
 After class I decided to google what we learned to
 see what images came up. I wasn't surprised by
 what I found: a homogenous representation of the
 bullseye rash on white skin.
 .
 It's no wonder our professor didn't have a good
 answer to answer my classmate's question. 2/5
 bullseye rash lyme
 X
 IMÁGENES
 TODOS
 SHOPPING
 NOTICIAS
 MĂĄs recientes
 Producto
 HD
 GIF
 it
 tick bites
 erythema migrans
 deer tick
 t1 37
 1
 323
 LaShyra "Lash" Nolen @LashNolen 13h
 I'm learning more and more that medicine is
 taught in a way that is often times exclusionary and
 the treatment and manifestation of disease in
 those with melinated skin is treated as an
 afterthought, a "special case" of illness that
 students must do extra work to understand. 3/5
 ti 140
 2
 785
 LaShyra "Lash" Nolen @LashNolen 13h
 This left me with the following thoughts:
 1. If stage 1 Lyme disease is taught to be
 recognized as a rash on white skin, how are we
 supposed to diagnose Lyme disease in our darker
 skinned patients? Does this mean Lyme disease
 will progress to later stages in these patients? 4/5
 t 81
 608
 LaShyra "Lash" Nolen @LashN olen 13h
 2. How does this later detection contritubute to
 the disparities we see in healthcare and what can
 we do in #med Ed to reduce these disparities and
 ensure students have the tools necessary to treat
 and diagnosis patients of all skin types equitably?
 5/5

unfriendly-black-hijabi:

wahtdahel:

Most of the medical research was done on white males and their response to medicine. This is why medical books should only serve as a framework but clinical expertise matters more.
And this is why we need more black doctors.




Black people are more likely to die from skin cancer for the same reason. It’s just diagnosed later. 

                
            

            
            
unfriendly-black-hijabi:

wahtdahel:

Most of the medical research was done on white males and their response to medicine. This is why me...

            
            
        

    



        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            







    The Following: Here's a prime example of "Men Are
 From Mars, Women Are From Venus"
 offered by an English professor from
 the University of Phoenix:
 The professor told his class one day: Today we will ex-
 periment with a new form called the tandem story
 The process is simple. Each person will pair off with the
 person sitting to his or her immediate right. As home-
 work tonight, one of you will write the first paragraph
 of a short story. You will e-mail your partner that para-
 graph and send another copy to me. The partner will
 read the first paragraph and then add another para-
 graph to the story and send it back, also sending an-
 other copy to me. The first person will then add a third
 paragraph, and so on back-and-forth.
 Remember to re-read what has been written each time
 in order to keep the story coherent. There is to be ab-
 solutely NO talking outside of the e-mails and any-
 thing you wish to say must be written in the e-mail.
 The story is over when both agree a con-
 clusion has been reached."
 The following was actually turned in by two of his
 English students:
 Rebecca and Gary
 THE STORY:
 (first paragraph by Rebecca)
 At first, Laurie couldn't decide which kind of tea
 she wanted. The chamomile, which used to be her
 favorite for lazy evenings at home, now reminded
 her too much of Carl, who once said, in happier
 times, that he liked chamomile.
 But she felt she must now, at all costs, keep her
 mind off Carl. His possessiveness was suffocating,
 and if she thought about him too much her asthma
 started acting up again. So chamomile was out of
 the
 second paragraph by Gary)
 Meanwhile, Advance Sergeant Carl Harris, leader of
 the attack squadron now in orbit over Skylon 4,
 had more important things to think about than the
 neuroses of an air-headed asthmatic bimbo named
 Laurie with whom he had spent one sweaty night
 over a year ago. "A.S. Harris to Geostation 17," he
 said into his transgalactic communicator. " Polar
 orbit established. No sign of resistance so far..." But
 before he could sign off a bluish particle beam
 flashed out of nowhere and blasted a hole through
 his ship's cargo bay. The jolt from the direct hit sent
 him flying out of his seat and across the ####pit.
 (Rebecca)
 He bumped his head and died almost immediately,
 but not before he felt one last pang of regret for
 psychically brutalizing the one woman who had
 ever had feelings for him. Soon afterwards, Earth
 stopped its pointless hostilities towards the peace
 ful farmers of Skylon 4. "Congress Passes Law Per-
 manently Abolishing War and Space Travel," Laurie
 read in her newspaper one morning. The news si-
 multaneously excited her and bored her. She
 stared out the window, dreaming of her youth,
 when the days had passed unhurriedly and care-
 free, with no newspaper to read, no television to
 distract her from her sense of innocent wonder at
 all the beautiful things around
 her. "Why must one
 lose one's innocence to become a woman?" she
 pondered wistfully
 Gary)
 Little did she know, but she had less than 10 sec-
 onds to live. Thousands of miles above the city, the
 Anu'udrian mothership launched the first of its
 lithium fusion missiles. The dimwitted wimpy
 peaceniks who pushed the Unilateral Aerospace
 disarmament Treaty through the congress had left
 Earth a defenseless target for the hostile alien em-
 pires who were determined to destroy the human
 race. Within two hours after the passage of the
 treaty the Anu'udrian ships were on course for
 Earth, carrying enough firepower to pulverize the
 With no one to stop them, they swiftly initiated
 their diabolical plan. The lithium fusion missile en-
 tered the atmosphere unimpeded. The President,
 in his top-secret mobile submarine headquarters
 on the ocean floor off the coast of Guam, felt the
 inconceivably massive explosion, which vaporized
 poor, stupid Laurie.
 (Rebecca)
 This is absurd. I refuse to continue this mockery of
 literature. My writing partner is a violent, chauvin-
 istic semi-literate adolescent.
 Gary)
 Yeah? Well, my writing partner is a self-centered
 tedious neurotic whose attempts at writing are the
 literary equivalent of Valium. Oh, shall I have
 chamomile tea? Or shall I have some other sort of
 F-KING TEA??? Oh no, what am I to do? I'm such an
 air headed bimbo who reads too many Danielle
 Steele novels!"
 Gary)
 B*tch.
 (Rebecca)
 F K YOU-YOU NEANDERTHALI
 In your dreams, Ho. Go drink some tea.
 A+
 Ireally liked this one.
epicjohndoe:

A Very Good Example Of ‘Men Are From Mars, Women Are From Venus’
    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                The Following: Here's a prime example of "Men Are
 From Mars, Women Are From Venus"
 offered by an English professor from
 the University of Phoenix:
 The professor told his class one day: Today we will ex-
 periment with a new form called the tandem story
 The process is simple. Each person will pair off with the
 person sitting to his or her immediate right. As home-
 work tonight, one of you will write the first paragraph
 of a short story. You will e-mail your partner that para-
 graph and send another copy to me. The partner will
 read the first paragraph and then add another para-
 graph to the story and send it back, also sending an-
 other copy to me. The first person will then add a third
 paragraph, and so on back-and-forth.
 Remember to re-read what has been written each time
 in order to keep the story coherent. There is to be ab-
 solutely NO talking outside of the e-mails and any-
 thing you wish to say must be written in the e-mail.
 The story is over when both agree a con-
 clusion has been reached."
 The following was actually turned in by two of his
 English students:
 Rebecca and Gary
 THE STORY:
 (first paragraph by Rebecca)
 At first, Laurie couldn't decide which kind of tea
 she wanted. The chamomile, which used to be her
 favorite for lazy evenings at home, now reminded
 her too much of Carl, who once said, in happier
 times, that he liked chamomile.
 But she felt she must now, at all costs, keep her
 mind off Carl. His possessiveness was suffocating,
 and if she thought about him too much her asthma
 started acting up again. So chamomile was out of
 the
 second paragraph by Gary)
 Meanwhile, Advance Sergeant Carl Harris, leader of
 the attack squadron now in orbit over Skylon 4,
 had more important things to think about than the
 neuroses of an air-headed asthmatic bimbo named
 Laurie with whom he had spent one sweaty night
 over a year ago. "A.S. Harris to Geostation 17," he
 said into his transgalactic communicator. " Polar
 orbit established. No sign of resistance so far..." But
 before he could sign off a bluish particle beam
 flashed out of nowhere and blasted a hole through
 his ship's cargo bay. The jolt from the direct hit sent
 him flying out of his seat and across the ####pit.
 (Rebecca)
 He bumped his head and died almost immediately,
 but not before he felt one last pang of regret for
 psychically brutalizing the one woman who had
 ever had feelings for him. Soon afterwards, Earth
 stopped its pointless hostilities towards the peace
 ful farmers of Skylon 4. "Congress Passes Law Per-
 manently Abolishing War and Space Travel," Laurie
 read in her newspaper one morning. The news si-
 multaneously excited her and bored her. She
 stared out the window, dreaming of her youth,
 when the days had passed unhurriedly and care-
 free, with no newspaper to read, no television to
 distract her from her sense of innocent wonder at
 all the beautiful things around
 her. "Why must one
 lose one's innocence to become a woman?" she
 pondered wistfully
 Gary)
 Little did she know, but she had less than 10 sec-
 onds to live. Thousands of miles above the city, the
 Anu'udrian mothership launched the first of its
 lithium fusion missiles. The dimwitted wimpy
 peaceniks who pushed the Unilateral Aerospace
 disarmament Treaty through the congress had left
 Earth a defenseless target for the hostile alien em-
 pires who were determined to destroy the human
 race. Within two hours after the passage of the
 treaty the Anu'udrian ships were on course for
 Earth, carrying enough firepower to pulverize the
 With no one to stop them, they swiftly initiated
 their diabolical plan. The lithium fusion missile en-
 tered the atmosphere unimpeded. The President,
 in his top-secret mobile submarine headquarters
 on the ocean floor off the coast of Guam, felt the
 inconceivably massive explosion, which vaporized
 poor, stupid Laurie.
 (Rebecca)
 This is absurd. I refuse to continue this mockery of
 literature. My writing partner is a violent, chauvin-
 istic semi-literate adolescent.
 Gary)
 Yeah? Well, my writing partner is a self-centered
 tedious neurotic whose attempts at writing are the
 literary equivalent of Valium. Oh, shall I have
 chamomile tea? Or shall I have some other sort of
 F-KING TEA??? Oh no, what am I to do? I'm such an
 air headed bimbo who reads too many Danielle
 Steele novels!"
 Gary)
 B*tch.
 (Rebecca)
 F K YOU-YOU NEANDERTHALI
 In your dreams, Ho. Go drink some tea.
 A+
 Ireally liked this one.
epicjohndoe:

A Very Good Example Of ‘Men Are From Mars, Women Are From Venus’
                
            

            
            
epicjohndoe:

A Very Good Example Of ‘Men Are From Mars, Women Are From Venus’

            
            
        

    



        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            






        

        
        

            







    The Following: did you know?
 did-you-kno.tumblr.com
 Michael the gorilla was taught sign language
 by Koko, the first signing gorilla. He began
 signing "Squash meat gorilla. Mouth tooth
 Cry sharp-noise loud. Bad think-trouble look-
 face. Cut/neck lip (girl) hole." Researchers
 believed this was a description of the
 poaching death of his mother.
 did-you-kno.tumblr.com
 didyouknowblog.com
 Cohen Gi n facebook.com/didyouknowblog
death-limes:

venipede:

osteophagy:

endcetaceanexploitation:

Washoe was a chimp who was taught sign language.
One of Washoe’s caretakers was pregnant and missed work for many weeks after she miscarried. Roger Fouts recounts the following situation:
“People who should be there for her and aren’t are often given the cold shoulder—her way of informing them that she’s miffed at them. Washoe greeted Kat [the caretaker] in just this way when she finally returned to work with the chimps. Kat made her apologies to Washoe, then decided to tell her the truth, signing “MY BABY DIED.” Washoe stared at her, then looked down. She finally peered into Kat’s eyes again and carefully signed “CRY”, touching her cheek and drawing her finger down the path a tear would make on a human (Chimpanzees don’t shed tears). Kat later remarked that one sign told her more about Washoe and her mental capabilities than all her longer, grammatically perfect sentences.“ [23]
Washoe herself lost two children; one baby died shortly after birth of a heart defect, the other baby, Sequoyah, died of a staph infection at two months of age.

more about Washoe:
after the death of her children, researchers were determined to have Washoe raise a baby and brought in a ten month chimpanzee named Loulis. one of the caretakers went to Washoe’s enclosure and signed “i have a baby for you.” Washoe became incredibly excited, yelling and swaying from side to side, signing “baby” over and over again. then she signed “my baby.”
the caretaker came back with Loulis, and Washoe’s excitement disappeared entirely. she refused to pick Loulis up, instead signing “baby” apathetically; it was clear that the baby she thought she was getting was going to be Sequoyah. eventually Washoe did approach Loulis, and by the next day the two had bonded and from then on she was utterly devoted to him.
*information shamelessly paraphrased from When Elephants Weep by Jeffrey Masson.

Even more interestingly, after Washoe and Loulis bonded, she started teaching him American Sign Language the same way that human parents teach their children language. It only took Loulis eight days to learn his first sign from Washoe, and aside from the seven that his human handlers learned around him, he learned to speak in ASL just as fluently as Washoe and was able to communicate with humans in the same way she could.

now if y'all don’t think this is the tightest shit you can get outta my face

    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                The Following: did you know?
 did-you-kno.tumblr.com
 Michael the gorilla was taught sign language
 by Koko, the first signing gorilla. He began
 signing "Squash meat gorilla. Mouth tooth
 Cry sharp-noise loud. Bad think-trouble look-
 face. Cut/neck lip (girl) hole." Researchers
 believed this was a description of the
 poaching death of his mother.
 did-you-kno.tumblr.com
 didyouknowblog.com
 Cohen Gi n facebook.com/didyouknowblog
death-limes:

venipede:

osteophagy:

endcetaceanexploitation:

Washoe was a chimp who was taught sign language.
One of Washoe’s caretakers was pregnant and missed work for many weeks after she miscarried. Roger Fouts recounts the following situation:
“People who should be there for her and aren’t are often given the cold shoulder—her way of informing them that she’s miffed at them. Washoe greeted Kat [the caretaker] in just this way when she finally returned to work with the chimps. Kat made her apologies to Washoe, then decided to tell her the truth, signing “MY BABY DIED.” Washoe stared at her, then looked down. She finally peered into Kat’s eyes again and carefully signed “CRY”, touching her cheek and drawing her finger down the path a tear would make on a human (Chimpanzees don’t shed tears). Kat later remarked that one sign told her more about Washoe and her mental capabilities than all her longer, grammatically perfect sentences.“ [23]
Washoe herself lost two children; one baby died shortly after birth of a heart defect, the other baby, Sequoyah, died of a staph infection at two months of age.

more about Washoe:
after the death of her children, researchers were determined to have Washoe raise a baby and brought in a ten month chimpanzee named Loulis. one of the caretakers went to Washoe’s enclosure and signed “i have a baby for you.” Washoe became incredibly excited, yelling and swaying from side to side, signing “baby” over and over again. then she signed “my baby.”
the caretaker came back with Loulis, and Washoe’s excitement disappeared entirely. she refused to pick Loulis up, instead signing “baby” apathetically; it was clear that the baby she thought she was getting was going to be Sequoyah. eventually Washoe did approach Loulis, and by the next day the two had bonded and from then on she was utterly devoted to him.
*information shamelessly paraphrased from When Elephants Weep by Jeffrey Masson.

Even more interestingly, after Washoe and Loulis bonded, she started teaching him American Sign Language the same way that human parents teach their children language. It only took Loulis eight days to learn his first sign from Washoe, and aside from the seven that his human handlers learned around him, he learned to speak in ASL just as fluently as Washoe and was able to communicate with humans in the same way she could.

now if y'all don’t think this is the tightest shit you can get outta my face

                
            

            
            
death-limes:

venipede:

osteophagy:

endcetaceanexploitation:

Washoe was a chimp who was taught sign language.
One of Washoe’s caretake...

            
            
        

    



        

        
        

            







    The Following: hulahoopofsalt:
Any Blog without this picture will be deleted in the following 24 hours.
    

        
        
        
        
        
        
        
        
        
nsfw

        
    

    

        

            
            

                
                The Following: hulahoopofsalt:
Any Blog without this picture will be deleted in the following 24 hours.
                
            

            
            
hulahoopofsalt:
Any Blog without this picture will be deleted in the following 24 hours.

            
            
        

    



        

        
        

            







    The Following: Here's a prime example of "Men Are
 From Mars, Women Are From Venus"
 offered by an English professor from
 the University of Phoenix:
 The professor told his class one day: Today we will ex-
 periment with a new form called the tandem story
 The process is simple. Each person will pair off with the
 person sitting to his or her immediate right. As home-
 work tonight, one of you will write the first paragraph
 of a short story. You will e-mail your partner that para-
 graph and send another copy to me. The partner will
 read the first paragraph and then add another para-
 graph to the story and send it back, also sending an-
 other copy to me. The first person will then add a third
 paragraph, and so on back-and-forth.
 Remember to re-read what has been written each time
 in order to keep the story coherent. There is to be ab-
 solutely NO talking outside of the e-mails and any-
 thing you wish to say must be written in the e-mail.
 The story is over when both agree a con-
 clusion has been reached."
 The following was actually turned in by two of his
 English students:
 Rebecca and Gary
 THE STORY:
 (first paragraph by Rebecca)
 At first, Laurie couldn't decide which kind of tea
 she wanted. The chamomile, which used to be her
 favorite for lazy evenings at home, now reminded
 her too much of Carl, who once said, in happier
 times, that he liked chamomile.
 But she felt she must now, at all costs, keep her
 mind off Carl. His possessiveness was suffocating,
 and if she thought about him too much her asthma
 started acting up again. So chamomile was out of
 the
 second paragraph by Gary)
 Meanwhile, Advance Sergeant Carl Harris, leader of
 the attack squadron now in orbit over Skylon 4,
 had more important things to think about than the
 neuroses of an air-headed asthmatic bimbo named
 Laurie with whom he had spent one sweaty night
 over a year ago. "A.S. Harris to Geostation 17," he
 said into his transgalactic communicator. " Polar
 orbit established. No sign of resistance so far..." But
 before he could sign off a bluish particle beam
 flashed out of nowhere and blasted a hole through
 his ship's cargo bay. The jolt from the direct hit sent
 him flying out of his seat and across the ####pit.
 (Rebecca)
 He bumped his head and died almost immediately,
 but not before he felt one last pang of regret for
 psychically brutalizing the one woman who had
 ever had feelings for him. Soon afterwards, Earth
 stopped its pointless hostilities towards the peace
 ful farmers of Skylon 4. "Congress Passes Law Per-
 manently Abolishing War and Space Travel," Laurie
 read in her newspaper one morning. The news si-
 multaneously excited her and bored her. She
 stared out the window, dreaming of her youth,
 when the days had passed unhurriedly and care-
 free, with no newspaper to read, no television to
 distract her from her sense of innocent wonder at
 all the beautiful things around
 her. "Why must one
 lose one's innocence to become a woman?" she
 pondered wistfully
 Gary)
 Little did she know, but she had less than 10 sec-
 onds to live. Thousands of miles above the city, the
 Anu'udrian mothership launched the first of its
 lithium fusion missiles. The dimwitted wimpy
 peaceniks who pushed the Unilateral Aerospace
 disarmament Treaty through the congress had left
 Earth a defenseless target for the hostile alien em-
 pires who were determined to destroy the human
 race. Within two hours after the passage of the
 treaty the Anu'udrian ships were on course for
 Earth, carrying enough firepower to pulverize the
 With no one to stop them, they swiftly initiated
 their diabolical plan. The lithium fusion missile en-
 tered the atmosphere unimpeded. The President,
 in his top-secret mobile submarine headquarters
 on the ocean floor off the coast of Guam, felt the
 inconceivably massive explosion, which vaporized
 poor, stupid Laurie.
 (Rebecca)
 This is absurd. I refuse to continue this mockery of
 literature. My writing partner is a violent, chauvin-
 istic semi-literate adolescent.
 Gary)
 Yeah? Well, my writing partner is a self-centered
 tedious neurotic whose attempts at writing are the
 literary equivalent of Valium. Oh, shall I have
 chamomile tea? Or shall I have some other sort of
 F-KING TEA??? Oh no, what am I to do? I'm such an
 air headed bimbo who reads too many Danielle
 Steele novels!"
 Gary)
 B*tch.
 (Rebecca)
 F K YOU-YOU NEANDERTHALI
 In your dreams, Ho. Go drink some tea.
 A+
 Ireally liked this one.
epicjohndoe:

A Very Good Example Of ‘Men Are From Mars, Women Are From Venus’
    

        
        
        
        
        
        
        
        
    

    

        

            
            

                
                The Following: Here's a prime example of "Men Are
 From Mars, Women Are From Venus"
 offered by an English professor from
 the University of Phoenix:
 The professor told his class one day: Today we will ex-
 periment with a new form called the tandem story
 The process is simple. Each person will pair off with the
 person sitting to his or her immediate right. As home-
 work tonight, one of you will write the first paragraph
 of a short story. You will e-mail your partner that para-
 graph and send another copy to me. The partner will
 read the first paragraph and then add another para-
 graph to the story and send it back, also sending an-
 other copy to me. The first person will then add a third
 paragraph, and so on back-and-forth.
 Remember to re-read what has been written each time
 in order to keep the story coherent. There is to be ab-
 solutely NO talking outside of the e-mails and any-
 thing you wish to say must be written in the e-mail.
 The story is over when both agree a con-
 clusion has been reached."
 The following was actually turned in by two of his
 English students:
 Rebecca and Gary
 THE STORY:
 (first paragraph by Rebecca)
 At first, Laurie couldn't decide which kind of tea
 she wanted. The chamomile, which used to be her
 favorite for lazy evenings at home, now reminded
 her too much of Carl, who once said, in happier
 times, that he liked chamomile.
 But she felt she must now, at all costs, keep her
 mind off Carl. His possessiveness was suffocating,
 and if she thought about him too much her asthma
 started acting up again. So chamomile was out of
 the
 second paragraph by Gary)
 Meanwhile, Advance Sergeant Carl Harris, leader of
 the attack squadron now in orbit over Skylon 4,
 had more important things to think about than the
 neuroses of an air-headed asthmatic bimbo named
 Laurie with whom he had spent one sweaty night
 over a year ago. "A.S. Harris to Geostation 17," he
 said into his transgalactic communicator. " Polar
 orbit established. No sign of resistance so far..." But
 before he could sign off a bluish particle beam
 flashed out of nowhere and blasted a hole through
 his ship's cargo bay. The jolt from the direct hit sent
 him flying out of his seat and across the ####pit.
 (Rebecca)
 He bumped his head and died almost immediately,
 but not before he felt one last pang of regret for
 psychically brutalizing the one woman who had
 ever had feelings for him. Soon afterwards, Earth
 stopped its pointless hostilities towards the peace
 ful farmers of Skylon 4. "Congress Passes Law Per-
 manently Abolishing War and Space Travel," Laurie
 read in her newspaper one morning. The news si-
 multaneously excited her and bored her. She
 stared out the window, dreaming of her youth,
 when the days had passed unhurriedly and care-
 free, with no newspaper to read, no television to
 distract her from her sense of innocent wonder at
 all the beautiful things around
 her. "Why must one
 lose one's innocence to become a woman?" she
 pondered wistfully
 Gary)
 Little did she know, but she had less than 10 sec-
 onds to live. Thousands of miles above the city, the
 Anu'udrian mothership launched the first of its
 lithium fusion missiles. The dimwitted wimpy
 peaceniks who pushed the Unilateral Aerospace
 disarmament Treaty through the congress had left
 Earth a defenseless target for the hostile alien em-
 pires who were determined to destroy the human
 race. Within two hours after the passage of the
 treaty the Anu'udrian ships were on course for
 Earth, carrying enough firepower to pulverize the
 With no one to stop them, they swiftly initiated
 their diabolical plan. The lithium fusion missile en-
 tered the atmosphere unimpeded. The President,
 in his top-secret mobile submarine headquarters
 on the ocean floor off the coast of Guam, felt the
 inconceivably massive explosion, which vaporized
 poor, stupid Laurie.
 (Rebecca)
 This is absurd. I refuse to continue this mockery of
 literature. My writing partner is a violent, chauvin-
 istic semi-literate adolescent.
 Gary)
 Yeah? Well, my writing partner is a self-centered
 tedious neurotic whose attempts at writing are the
 literary equivalent of Valium. Oh, shall I have
 chamomile tea? Or shall I have some other sort of
 F-KING TEA??? Oh no, what am I to do? I'm such an
 air headed bimbo who reads too many Danielle
 Steele novels!"
 Gary)
 B*tch.
 (Rebecca)
 F K YOU-YOU NEANDERTHALI
 In your dreams, Ho. Go drink some tea.
 A+
 Ireally liked this one.
epicjohndoe:

A Very Good Example Of ‘Men Are From Mars, Women Are From Venus’
                
            

            
            
epicjohndoe:

A Very Good Example Of ‘Men Are From Mars, Women Are From Venus’